Finish Line has agreed to sell itself to a United Kingdom-based sportswear company that was trying to get a foot in the US. Finish Line has made the move to try and save its slumping apparel line.
JD Sports Fashion has reached a deal to take over the Indianapolis-based Finish Line for around $558 million. Finish Line has 556 stores, as well as branded floor space in 375 Macy’s locations. The company has around 13,000 employees.
Finish Line has been struggling for some time in the declining mall foot traffic. Sales at stores open at least a year have gone down 7.9% in the company’s fourth quarter, Finish Line has stated Monday.
The environment was “more challenging than we expected,” CEO Sam Sato said in a statement.
JD Sports Fashion and Finish Line will now combine into “”a leading global, premium, a multichannel retailer of sports, fashion and outdoor brands who embraces the latest online and in-store digital technology,” Finish Line said in a statement.
The Dallas-based Don Morphy the ready-to-wear menswear label announced its first ever pop-up brick and mortar store in Victory Park that will be running through April 12.
The fashion startup company has been a local success in Dallas. Daniel Mofor, founder of Dan Morphy, experience with management at Walmart helped him launch the company as a kickstart campaign in 2016. The suits and shoes are designed in the US but are handmade in Florence, Italy.
Don Morphy has notable clientele such as former Dallas Cowboys star Emmitt Smith, actor Morris Chestnut, mega-pastor T.D. Jakes, and NBA players Dwight Howard and Tyson Chandler. The label was also recently recognized by Fashion Group International of Dallas as one of the “Rising Stars” in men’s fashion.
In a New York Times profile last October, Dwight Howard said, “I have a stylist, J. Bolin, and he works with a manufacturer called Don Morphy. We sit down and go over the styles. I choose the lining, the material, the colors. It’s like a day’s worth of working on these suits before the season starts.”
“We are excited to debut the Don Morphy brand to the Victory Park community. Our Victory Park pop-up will allow our existing customers the opportunity to experience the brand in a new way, and will introduce our Italian quality and flair to a new audience,” said Don Morphy Chief Operation Officer Serge Laurent in a statement.
Everyone, it is Just a few short weeks after the Geneva Motor Show, it is now time for the festivities to reach the Javits Center in the greatest city in the world: New York!
Today, March 28th begins the press days for the show, but the doors open to the public on March 30th and remain open until the show closes on Sunday, April 8th. The official opening day is on March 31st with festivities beginning at 8:30 AM.
The New York International Auto Show has enjoyed a rich history in its long-running tenure, starting way back in the year 1900 at Madison Square Garden, and the show has withstood the test of time, through wars, depression and recessions.
A major anticipated showing this year will be coming from Nissan, who will be showing the Formula E car, which they are dubbing “The Next Generation of Excitement.” Quite a claim to make, but everything announced about it so far seems to back up that statement! The all-electric vehicle has been turning many heads since it was first announced.
Several other notable reveals will be done at this year’s show, including the production version of its RDX concept car, which will feature 2.0-liter turbo power and an optional A-Spec treatment. Acura reps have described the car as the “most extensive Acura redesign in more than a decade,” which has left the automotive community salivating at the promise that statement holds.
The fan favorite Bugatti brand will also be making a much-anticipated appearance at the show, featuring the Chiron Sport on US soil for the first time ever. The Sport edition of the Chron boasts a 1,500 horsepower drivetrain while adding torque-vectoring, stiffer suspension than the regular model, more aero and is 40 pounds lighter.
One of our most unexpected interests at the show this year will be the offerings from Cadillac. The brand will, of course, feature its CT6 V-Sport which will be sure to turn some heads, but our real interest is the XT4 which will finally be unveiled after numerous teases during the Super Bowl and the Oscars. We look forward to featuring this vehicle in the coming days!
Mercedes-Benz also has quite the lineup expected for this year’s show, including the North American debuts of the AMG GT 4-Door Coupe, AMG G63 and facelifted C-Class sedan range, but the world first reveals are what have us salivating the most. The brand will be showing off the updated C-Class Coupe and Cabriolet, as well as the new C63 AMG coupe, sedan and cabriolet making their debuts.
There are many other surprises in store as well for the show, including output from Mazda, Jaguar, Toyota, Volvo and much more! From every preview released, the show looks to be quite the event, as it most assuredly is every year!
Tickets for the event can still be purchased, with adult tickets going for $17 and Child tickets (12 and under, ages 2 and under can enter for free) going for $7, with various package and premium deals available as well. We are very much looking forward to this year’s show, as we do every year! Look forward to our upcoming coverage of the event for more automotive news and highlights!
Enter Virgil Abloh. Known previously as the founder of the haute streetwear label Off-White, as well as the creative director for Kanye West’s previous fashion output, Virgil Abloh now has a new claim to fame: the first African-American artistic director for Louis Vuitton.
Virgil Abloh, aged 37, is a first-generation Ghanian-American from Illinois and is now making the move to Paris to be closer to the luxury brand. Abloh’s previous work perfectly encapsulated celebrity, music, digital and hype in a way unlike any previous Men’s Wear designers at Louis Vuitton.
Abloh has no formal fashion training, but he was, however, taught the ins and outs of fashion by his mother, who was a seamstress and taught him her trade. He further increased the scope of his designs by studying architecture and civil engineering, creating a unique style that is wholly his own.
In regards to the opportunity, Abloh had the following to say:
“This opportunity to think through what the next chapter of design and luxury will mean at a brand that represents the pinnacle of luxury was always a goal in my wildest dreams. And to show a younger generation that there is no one way anyone in this kind of position has to look is a fantastically modern spirit in which to start.”
Abloh’s place in the company is part of a men’s wear shake-up for Louis Vuitton, with Abloh taking the place of his predecessor, Kim Jones, who has gone on to become the men’s designer for Christian Dior, in turn taking the place of his predecessor Kris van Assche.
Michael Burke, the chief executive of Louis Vuitton, had the following to say about Virgil Abloh: “Virgil is incredibly good at creating bridges between the classic and the zeitgeist of the moment,” quite the compliment indeed.
It will be very interesting to see where Abloh can take Men’s Wear at Louis Vuitton. Will he continue in the same vein as his predecessor? Or will he take the more likely scenario of injecting his own sensibilities and styles into the brand? We are excited to find out!
A handful of Pakistan designers are starting to take a bold stance on topics that are predominant in the country, trying to make it okay to think a different way. Shahnaz ki Shaadi, or Shahnaz Wedding, has kicked off a campaign for new wedding dresses but in her campaign, she has been showing off women in their 50s with their adult children celebrating with them. In Pakistan, divorce is still a weird subject, but Shahnaz’s campaign makes it obvious that love can’t be found at any age.
“Right now is the ideal time to be in the fashion industry,” Ali Xeeshan, a designer, says, “Since the Pakistani film industry is not as big as Hollywood or Bollywood, fashion gets the spotlight here. That’s why we can really make use of the situation by highlighting social issues.”
“I think all fashion brands have a responsibility about how women see themselves,” says Khadija Rahman, Generation’s creative head, whose parents Nosheen Khan and Saad Rahman launched the brand in 1983. “Women can be seen differently — they’re all beautiful, dark, fair … There’s no one fixed standard.”
The British designer Kim Jones was announced as the new artistic director of Dior Homme, just two months after he has stepped down from the menswear line of Louis Vuitton. He will be replacing Kris Van Assche, who was in the position for 11 years.
The new decision to hire Jones will be part of the first of major decisions by Pietro Beccari, chief executive of Christian Dior Couture, who joined the brand from Fendi in November.
“I am delighted to welcome Kim Jones at Dior Homme,” Mr. Beccari said in a statement, adding that Mr. Jones would “create an elegant men’s wardrobe both classic and anchored in contemporary culture.”
“I am confident that he will continue to further develop Dior Homme on a global scale,” Mr. Beccari added.
“I am deeply honored to join the house of Dior, a symbol of the ultimate elegance,” Mr. Jones said. “I am committed to create a modern and innovative male silhouette built upon the unique legacy of the house.”
The CFDA Awards is the closest you can get to the Oscar’s for the fashion. The CFDA Awards is set to celebrate the best American designs. Last night the nominations for Menswear Designer of the Year were announced, and they include Thom Browne, Tom Ford, Raf Simons for Calvin Klein, Virgil Abloh for Off-White and New York hype brand Supreme.
It has come to many as a surprise that a skate brand has picked up a CFDA nomination. It is odd because only Public School has been named a winner for the award that isn’t one of the big label brands. But Supreme has done nothing that Public School has. They don’t put on runway shows nor are their designers helping out with other big label brands. Instead, Supreme’s most desirable items are graphic hoodies and T-shirts while collaborating with other brands like Public Enemy.
Supreme in the past has ripped off big brands wholesale in the past but lately has been trying to get a foot closer to the giants by taking a big investment from the Carlyle Group, collaborating with Louis Vuitton and opening up a new store in New York City.
In a statement by Steven Kolb, head of CFDA, he started urging voters to consider a wider pool of brands that they had in the past. “We truly want the event to celebrate the full creative spectrum and richness of American fashion,” Kolb reportedly wrote. “Just think of how much fashion is changing, and the diversity of our industry. Designers with broad cultural backgrounds and political ideas are expressing their experiences and beliefs in their collections. Their work deserves greater acknowledgment, acceptance, and visibility.”
Director of the Palias Galliera for the last eight years, Olivier Saillard turned the city of Paris’s fashion museum into a must visit event, thanks to ideas from performance pieces by Tilda Swinton to the very first Azzedine Alaïa retrospective in the city. The fashion community was hit with a curveball when he decided to step down and quit in January to become the director of J.M. Weston, the French luxury men’s shoe company.
The person who took his place was the relatively unknown Spaniard named Miren Arzalluz, a political historian and who has honed her curating skills for eight years as the head of the Cristóbal Balenciaga Foundation in Getaria, Spain. She ultimately pursued the new job because “this job was really going back to my thing.”
“I studied history, worked at a British think tank, earned my master’s in comparative politics at the London School of Economics. It was just after 9/11. The world was in such turmoil. I started going to the Victoria & Albert Museum for fashion exhibitions. Then I remember walking into the National Portrait Gallery bookshop and seeing a whole section on fashion history. It was a revelation. When you study history, it’s to be a social or political historian. But fashion? That was something that I had never dreamt of. I went to the Courtauld Institute of Art in Somerset House for a master’s in history of dress, and fell in love with the subject. I thought: “Oh, this is what I want to do.””
The red carpet has finally moved on from the time’s up blackout, but there have recently been some interesting pieces in the Givenchy and Elie Saab collections during Paris Fashion Week.
Claire Waight Keller, Givenchy designer in her sophomore season, has taken over the reins for Riccardo Tisci with a different mood, taking her inspiration from the 80’s Berlin. She turned the halls in the Paris Palace of Justice into a dark and moody maze, with models walking down in big curtains of black, slate and blue as spotlights hovered over them.
Waight Keller took inspiration from David Bowie, Stranger Things and Noomi Rapace. Waight Keller started the show with louche faux furs cinched with patent belts before turning on the sharp-cut dresses that would fit right in Germany ’83. Pencil skirts and oversized animal prints followed right behind, with both men and women in shiny trousers.
The men’s looks were mostly tailored, with the exception of the puffy white coat. The oversized equipment handled bags that were carried by the men will most likely cross over.
Jun Takahashi may or may not have discovered a solution for fashion. Takahashi has managed to create a collection that merges streetwear with athleisure and luxury. His Fall 2018 collection for Undercover is a major example of what many design houses should aspire to do.
The designer showed Undercover in a big white tent with clear plastic walls in the center of Paris. His fashion was in the very middle of things and not bouncing around the edges. Takahashi took much inspiration from college, as that is a time for experimentation.
Takahashi has figured out a way to blend all the elements of street style, comfort, youthfulness, nonchalance and cool, and he turned them into clothes that can be related to by anyone. He didn’t do too much and chose establishment over rebelliousness but synchronized the two in such a way that it worked out for the better.
Simon Porte Jacquemus has finally revealed his new professional challenge that he has been hinting at on his social media: the launch of his very own menswear line.
The designer announced the news at his Paris fall show by taking a bow in a sweatshirt that read “New Job L’Homme Jacquemus” at his women’s ready-to-wear show.
He won’t be presenting his first creations until Paris men’s fashion week in June, and it has yet to be determined if he will have a show or a presentation for the line.
“I see the Jacquemus man as I see the Jacquemus woman: it’s a sincere story,” Jacquemus told WWD:
“I didn’t do men’s until now because I didn’t feel the need to do men’s and I couldn’t imagine it. I fell in love and I started to imagine that the Jacquemus man exists. I did Jacquemus women’s for my mother, and while I’m not saying that the men’s collection will be all about my boyfriends, it will still always be a love story.”
The designer has used social media as the main outlet for communications since he launched his brand in 2009 after dropping out of fashion school due to his mother’s death (Jacquemus is her maiden name).
Since then, Jacquemus has become one of the most talented young designers on the Paris stage.
Jacquemus has predicted that adding a men’s line would change the mood of the brand. “This is going to change Jacquemus a little in the sense that it’s much more forward-looking, because there is a lot of melancholy in the women’s collections, for obvious reasons,” he said.
Dolce & Gabbana has managed to make human runway models a boring trend by replacing them with technology on the runway.
When the show started at the D&G Fall-Winter Men’s Fashion Show in Milan, a horde of drones carrying handbags glided down the catwalk. The drones were accompanied on the side by people who wore white lab coats.
Attendees during the show were asked to turn off the Wi-Fi on their phones, including personal hotspots.
“A comically impossible task for a room full of influencers made famous by the Internet, all of whom speak different languages,” according to The Cut’s Emilia Petrarca, who attended the weekend show.
G&D was not the only brand to add high-tech technology to the mix. Alessandro Michele unveiled his own Gucci Cyborg. His show included small dragons and models carrying 3D-printed versions of their own heads.
Suitsupply, a men’s tailoring brand founded in 2000 by Fokke de Jong in Amsterdam, has shown off its new imagery for their Spring/Summer 2018 campaign which put the spotlight on gay couples.
The campaign is set to display in over 100 stores across 22 countries and is also currently at the front of their website, which Jong has said could have a negative impact on the business where LGBTQ people are not accepted:
“The attraction between people is an important part of fashion advertising. A campaign featuring the attraction between men was long overdue and particularly relevant for our brand.”
The new collection is available in stores and online. It features linen cotton blended suits, checked jackets, lightweight bombers, and it brings new colors into the mix.
Ambra Battilana Gutierrez, the Italian model who helped bring down the movie mogul Harvey Weinstein by reporting him to the police back in 2015, is getting her career back on track.
Gutierrez will be taking the runway at the 2018 New York Fashion Week on Wednesday after having spent several years being rejected by designers after her allegation became public. She said in a recent interview that it became so hard for her to land a gig because of the incident.
“I had castings with Armani and Cavalli and Dsquared2 — these are the ones that really build your portfolio,” she said. “After that it was so difficult to even get normal brands to work with — it was a disaster.”
Gutierrez states that the slip of her career caused her to develop depression and gain weight, hampering her modeling career.
“I saw so many shows with girls that looked exactly like me and nobody ever tried to send my photos out because it was so difficult to sell me because my name was bad,” she said. “It was impossible because (designers) didn’t want to hurt their brands.”
But now that Weinstein has been convicted of the allegations, work has finally been coming Gutierrez’s way, and she can finally get her career back on track.
Anthony Davis was in Los Angeles because of the NBA All-Star game but also to visit the Chateau Marmont in West Hollywood on Thursday night to celebrate his latest fashion collection, Saks Fifth Avenue x Anthony Davis.
“This city is amazing,” he told The Times. “The people are amazing. I actually stay here in the summertime. I love the weather. It’s, in my opinion, the best city in the United States. Over Miami, [over] everything, you know?”
A huge group of influencers all gathered to commemorate Davis’ latest luxury capsule collection, which was first debuted in 2016.
“Every piece is unique,” Davis said. “Every time we put a collection out there, we want it to be unique and different from the last — and a little unique and different from what everybody else is doing. I’m excited about it.”
Davis’ newest collection is available exclusively at Saks Fifth Avenue stores and at Saks.com
“As a guy who’s tall, it’s hard to find clothes,” laughed Davis, who is 6-foot-10. “I thought [this collaboration] was the perfect opportunity to try to showcase my style with a great brand like Saks…. It’s been great for me to get another side of me out there instead of basketball.”
“We are proud of how the Saks Fifth Avenue collection ― our private label offering ― has grown over the past few years, evolving into one of our top performing menswear brands at Saks,” Louis DiGiacomo, general merchandise manager for men’s, said in a statement. “And, since 2016, we’ve been partnering with Anthony on the Saks Fifth Avenue x Anthony Davis capsule collections that have an athletic-inspired, youthful sensibility … And our customers love it.”
After every fashion show, there’s always the circulation of which trends will take the extra step into the fashion world. After Paris Men’s Fashion Week, a question was asked: do our shoes need their own pair of shoes?
Chinese fashion brand Sankuanz thinks so. Its design team sent a model down the runway wearing high top sneakers that never really touched the runway.
“They’re transformable sneakers that have an outer layer of protective sandal that you can enter Velcro into and you can strap them on or off,” Sankuanz publicist Courtney Wittich described.
The shoes really look like big-cushioned, rubber Birkenstocks with added Velcro straps you add to your already existing shoes.
“I think they’re going to be really popular,” Wittich said. “I mean, you know, the streets are quite dirty and people want to protect their shoes, especially if they’re paying a lot of money for them.”
The shoe sandals are expected to be sold for around $355 when they become available in August.
“You can walk totally normal in them and it gives you an extra layer of protection and then also height,” Wittich said.
The concept isn’t far off from what the company’s image is nor from the layering trend that is happening in today’s fashion world.
“So far we haven’t heard anything about a third layer generation, but if we hear about that we’ll let you know,” Wittich said.
Victoria Beckham’s line was set to show at New York Fashion Week, but it wouldn’t be a proper event without her family sitting front row to watch in awe. David Beckham and three of the kids, Romeo, 15, Cruz, 12, and Harper, 6, all attended the James Burden Mansion on Manhattan’s Upper East Side as Victoria Beckham showed off her Autumn/Winter 2018 collection.
After the models were done, Victoria Beckham walked out to greet the crowd in an all-black ensemble and also gave every one of her family members a quick kiss.
The whole family was sporting looks. David Beckham, who just launched a soccer team in Miami, went with a classic black suit and tie, and the two sons wore long coats. The daughter was rocking a more stylish look with a white dress and burgundy coat, with her hair in two French braids.
The only one missing from the family event was Brooklyn, 18, who moved to New York to study photography. Despite the absence of the oldest child, both parents gave him a shout out on their social media pages.
Some of the men’s shows at New York Fashion Week are showing signs of a potential kick start to crypto high fashion. Meanwhile, the wait times between the shows are providing time and opportunity for attendees to discuss the recent crypto market dip.
The Belgian fashion designer and icon Raf Simons’ runway show was described by the Financial Times as “looking like the inner sanctum of a boiler room, where brokers pitch their clients on penny stocks and digital currencies with a Machiavellian zeal.”
Simons showed off slim cut three-button suits, topcoats paired with some type of surgical gloves and rubber boots. The runway was also filled with turtlenecks with slits. Some of them had patches with three letter acronyms like XTC and GHB. “One was just a letter off” from a Bitcoin code, the Financial Times jokingly said.
The Financial Times said Simon’s clothing could “fit easily on today’s youngest investors, who don’t stick to the Kiton and Zegna suits of their fathers and prefer Coinbase to TD Ameritrade.”
TD Ameritrade surprisingly advertised Bitcoin futures during their ad, which aired during the Super Bowl.
Tom Ford showed “Wall Street-approved pleated trousers” paired with snakeskin printed ties. The Ford show ended with models showing off the company’s new launch of underwear, which included silk boxers in different metallic and animal prints.
Music and Fashion are two things that almost always go hand in hand, especially when its rap music. It was no surprise that some artist hit the runway showing off new fashion looks. Some of the artists included Vic Mensa, IDK and King Combs.
Mensa and IDK were both on the runway for Pyer Moss’ new collection with Reebok. “Incredibly honored to be a part of this moment,” Mensa wrote on Instagram. “We’ve been kept out of so many industries that it makes it that much more impactful when we reach those levels, u feel me?”
After Ralph Lauren finished its job as the official outfitter for Team USA at the Olympics, the company was left to wonder what was next.
Ralph Lauren went to a retreat in Montego Bay to look for inspiration for his spring and summer collections for both men and women.
What came from it was spectacular. The show was filled with barefoot models, looks that screamed beachy feels, and a lot of the classics from Ralph Lauren. The clothes included the yellows and greens of the island country’s flag and pennants, along with spots of red and blue in bold, graphic designs. There were even yachts on wide ties and practically everywhere else.
“Everyone wishes for a magical place where they can step out of time into the beauty of nature,” Lauren said in a press release. “For Spring 2018, I wanted to share the mood, the light, the blue and white freshness of my retreat in Jamaica. My collections for women and men conjure up the carefree, sophisticated style of this special experience—exuberant, luxurious, timeless!”
The clothes reflected the words spoken by Ralph Lauren. It was shown in the cotton and silks, stripes and tie dye. There were leather shorts and jackets that were meant for an afternoon deckside of a tropical downpour. The predictable whites even looked fitting for any occasion.
John Elliot just designed one of the best fashion sneakers with the newly revamped Nike Air Monarch for his Fall-Winter 2018 show.
The Air Monarch is so entwined with the dad look that many believed it couldn’t cross into the fashion world, but the shoe quickly proved those nonbelievers wrong. The shoe has already been seen on the feet of OKC Thunder basketball player Russell Westbrook.
The show appeals to the masses with its unconventional oversize shape and mundane colorway. The shoe debuted at John Elliott’s Fall-Winter 2018 runway show while adding three new colorways.
The difference between the new Monarchs and the old version is in the details. The most notable detail for the new design is the smaller swoosh, allowing the colorway to take up all the attention. The “Air” logo is gone from the back, and the midsole shape is designed just a tad differently.
The shoes have yet to be announced to have gone on sale but will most likely make a splash in the current market of ugly sneakers.
This year, the New York Fashion Week: men’s has been tied to the women’s show to make for a 10 day long fashion marathon. This allows smaller brands to be shown alongside big fashion juggernauts like Marc Jacobs and Calvin Klein. Just as with previous years, however, the streetwear styles kicked off the season by catching eyes with no help provided. So far for the 2018 shows, their new gimmicks have proven to be just as fashionable as they were last summer, which brought in fanny packs, cross body bags and Hawaiian shirts.
So far for the winter season, the looks include berets, coats that are dazzling with how well they were tailored, panels of mirrored armor and full-on balaclava.
David Jones recently held their Autumn/Winter womenswear and menswear collection at the Sydney Carriageworks. The event is always filled with celebrities and air kisses, so it is always an interesting event during this time of year.
Recently, during most of these sorts of events, menswear has hardly shown up and has been very underwhelming; however, at David Jones’ show, there were glimpses of hope that this year might be a change for the ever so boring menswear market.
This year, the menswear fashion show was led by male model Jordan Barret. This season’s show focused on layers and earth tones. Green coats, burgundy checks and sleek black suits were shown throughout the show. This show could have arguably been the best collection from the Australian retailer in years.
David Jones’ International Menswear designer collection was also a very impressively styled selection that has been introduced in recent years. That collection was filled with wool hats, heavy frame aviator glasses, green coats and patent leather brogues.
This season might prove big time for the Australian brand.
Massimo Dutti held its second-ever fashion show in Paris, sending a very much Texan-like men’s and women’s spring collection down a sandy runway at the Palais de Tokyo.
“For a fashion player, it’s essential to be in Paris, it’s essential to be in France,” said Jean-Jacques Salaün, the director of French operations of the brand’s parent company, Inditex.
The brand was able to pull off a see-now-buy-now collection by projecting images from the show on its internet site. The label has also planned on doing the same projection style on screens in brick and mortar stores.
Men’s outfits in the collection were trim and dressy, featuring lots of suits. The colors for the men’s collection ranged from a dark olive green to light browns and ivory. Most of the models carried a small bag tucked under a wrist.
Joe, Kevin and Nick Jonas all attended the John Varvatos fashion show on Friday, Jan. 26 in New York City. The boys were seen enjoying a guy’s night out while wearing matching leather jackets. Kevin and Nick, 30 and 25 respectively, who have a limited-edition collection with the menswear brand, were spotted on the front row of the show.
Joe, 28, shared a photo after the show of the three of them posing and captioned it “The Boys,” while Kevin posted the same photo soon after in black and white. Fans quickly jumped to conclusions about the band reuniting. They commented things such as, “REUNION TOUR PLSSSSS.” Another wrote, “IF THEY DO A REUNION … MY 2008 SELF WILL SOB.” One simply wrote, “Quit playing games with my heart.”
There was a previous report about the brothers getting the band back together when, on Jan. 15, photos of the band’s original Instagram page reappeared for the first time in four years. None of them have commented on the rumor.
The brothers first opened up about their decision to end the band in an interview with Good Morning America back in October 2013. “We feel like it’s time that the Jonas Brothers comes to an end,” Kevin said. Nick added to his brother’s statement:
“We’re family first and that’s always been our main priority and so honesty within what we do as a group was really important. I came to the table with the guys … and shared my heart with them and my feelings. I said, ‘Look, I feel like we’ve had some complications within the group for a long time [and] without addressing them I think this train will fall off the tracks. It was a tough conversation. It was the first time we really had that real conversation.”
All the men looked great at the 2018 Grammy Awards. Guys like Zayn Malik and Nick Jonas were sporting some of the best looks.
Zayn Malik, 25, Nick Jonas, 25, and Jaden Smith, 19, were among those that rocked the red carpet in fashion. Big Sean impressed with a navy suit paired with a dark blue-green velvet trench coat. Khalid, 19, took a different approach by adding a pop of color with a lime green shirt. He wore the bright top under a pastel jacket with same-color pants. This was the singer’s first Grammys, but he showed up and showed out!
Every season there are styles that are meant to be outspoken and bold, but this is not the attire we expect to see on an everyday person. We’re here for the most wearable ongoing trends of this coming season.
The fact that plaid was everywhere in the AW18 show in Paris indicates that you should be wearing it this autumn. Balenciaga had long plaid overcoats and patchwork plaid streetwear.
Corduroy trousers were the worst thing as a child, but lately, designers can’t get enough of them. During the Milan show, there were hundreds of versions of corduroy on the runway. Even streetwear brands like Palm Angels were getting in on the corduroy action.
Leather has always and will always be around, but this year it was a sight to see, ranging from knights and armor inspired leather at Les Hommes to the luxury leather at Berluti. Leather was worked into jackets, pants and even on some shirts. There was also a smaller theme of leather paneling and detailing among the lines.
Proportion was a big thing for all designers, and this year we saw tons of new ways to shape clothes to make a statement. The biggest trend for this was oversized coats outerwear and knitwear. Oversized might be the way to go next winter.
Tom Ford will be taking the final spot for menswear in the New York Fashion Week calendar on Feb. 6 with a runway show. It will start at 8 p.m. at the Park Avenue Armory, which will immediately follow Joseph Abboud at 7 p.m.
Although Ford has shown menswear in New York in the past, this will mark the first time the designer has shown his menswear collection exclusively at this event. His last New York show was back in September 2017 when he started New York Fashion Week with a women’s show at the Armory. His Spring 2018 menswear line was shown in Milan.
The Council of Fashion Designers of America decided last month to push the dates of the New York Fashion Week Men’s to Feb. 5 through Feb. 7, which then allows the women’s calendar to precede immediately afterward. This new schedule will create one big 10-day calendar.
The addition of Ford to the mix gives the fashion event a boost to the men’s portion, which it desperately needed. So far, the lineups have been filled with emerging labels but not so many established brands. The big names this season will be Raf Simons, Abboud, Perry Ellis and Hugo Boss.
In a shocking announcement this past Sunday, LVMH announced that Hedi Slimane will join Céline starting Feb. 1 this year. The designer will be the director of artistic, creative and image, and he will expand the LVMH label’s offering into menswear, couture and fragrance. The first collection he will show for the brand will be in September during Paris Fashion Week. Slimane will be taking over for Phoebe Philo, who announced she would be leaving the brand after its Autumn 2018 presentation in March. Bernard Arnault, LVMH chairman and chief executive, commented in a statement:
“I am particularly happy that Hedi is back within the LVMH Group and taking the reins of our Céline maison. He is one of the most talented designers of our time. I have been a great admirer of his work since we collaborated on Dior Homme, which he launched to global critical acclaim in the 2000s. His arrival at Céline reinforces the great ambitions that LVMH has for this maison.”
Slimane has worked with Dior Homme, who he brought back to life both in 2000 and 2007. He left the brand to launch his own label, before which he worked with Saint Laurent.
“I am delighted to join Bernard Arnault in this all-embracing and fascinating mission for Céline,” Slimane said. “I greatly look forward to returning to the exciting world of fashion and the dynamism of the ateliers.”
“Hedi Slimane is an exceptional designer, complete artist and passionate about his work,” Sidney Toledano, the man who made Dior a powerhouse for over 20 years, said. “I am certain that he will bring his renowned creative energy and discipline to lead Céline to ever greater success.”
Paris fashion stood up for press freedom Saturday with two brands teaming up with the New York Times to show their concern for Trump’s attacks on the media.
Japanese brand Sacai and French house Etudes used slogans from the newpaper’s “The Truth is Hard” and posted them on their clothes in their men’s winter collections.
Sacai designer Chitose Abe included all 19 lines of the declaration, posted by the Times last February to defend itself and other papers from the attacks by the U.S. president, on the back of T-shirts and hoodies. She herself wore a black one with the Tims logo and the line, “Truth. It’s more important now than ever.”
Abe told the Agence France-Presse that the stance was not political, “but I do think what the New York Times said is right and that’s why I wanted to collaborate and support them.”
“It is also about the importance of tolerance and accepting everyone… and about goodness,” she added.
Etudes used the New York Times’ logo on scarves among other collaborations with the newspaper.
Both designers Jeremy Egry and Aurelien Arbet told AFP that they did not “want to send a political message but obviously we want to support freedom of expression.”
New York Fashion Week has lost longtime designer Alexander Wang. Starting this summer, he is moving his shows from the February and September schedules and place them in June and December. The move is likely to place his designs closer to pre-collection season.
According the company’s announcement, the move “is widely considered to be a transformative solution for the global industry, breaking out of the conventional fashion calendar.” The move also includes combining the pre-collection and main collections into one single collection, thus dividing the label’s products into monthly drops.
In terms of what the new change affects, the new schedule will shorten the time for purchases to four months after the show rather than the former span of six months. This also means that there will not be any ready-to-wear shows from Alexander Wang anytime soon.
The move will also shrink New York Fashion Week, which will likely affect a major portion of local industries such as hotels, restaurants, transportation and florists.
Wang will be the fifth New York designer of his generation to part ways with the official NYFW schedule.
Dior Homme did something very unexpected during their show in Paris last week. Before the show, there were hundreds of teenagers shrieking in joy at the site of Twilight actor Robert Pattinson, but that wasn’t the most bizarre thing to happen.
The show started off with a series of slim black suits in single and double-breasted models. Then, the show took an unexpected turn with baggy ravers’ jeans, short-sleeved t-shirts layered over longer sleeved versions and the repeated heavy-metal motif that was etched on rucksacks and bomber jackets. The motif was even seen shaved on the sides of the models’ hair.
Most of the models varied in age, and not just in the 20s range. The theme for the show was “Forever Young,” a reference that dates all the way back to the 1984 Alphaville song.
The designs seemed to appeal toward a new set of customers while also bringing up the past for others. More evidence that Dior was trying to court the millennial market surfaced when Bella Hadid wore a pair of the label’s new trainers, Dior Homme Runners, on her Instagram page.
Kim Jones will be leaving Louis Vuitton and vacating the role as artistic director of menswear after the Fall 2018 catwalk show on Thursday. The French label announced this, finally closing the months of speculation but bringing up more questions about where he will likely end up.
Jones is a graduate from Central Saint Martins who founded his own menswear line in London only to close it back in 2008 to become the creative director of Dunhill, then Louis Vuitton. He held the title at Louis Vuitton for seven years, and he is the fifth major designer to leave his job in the last six weeks along with Phoebe Philo from Céline and Jonathan Saunders from Diane von Furstenberg.
“These houses are under tremendous pressure to be right on the money of what certain generations want,” Michael Hainey, the executive director of editorial for Esquire magazine, said. “He showed just how you can take something that’s got a fantastic heritage and still do something very modern with it.”
Jones was widely applauded but also sometimes criticized for refreshing the Vuitton menswear line for much younger generations. He mixed house’s travel heritage with a more street-friendly style.
In a statement, Michael Burke, chairman and chief of Louis Vuitton, gave credit to Jones for some of the brand’s most successful collaborations:
“It has been a huge privilege to work with Kim. His ability to set trends is impeccable, and his talent and determination have ensured that Louis Vuitton is firmly placed as the leading brand in luxury men’s wear today. All of us who have been fortunate to work with Kim wish him continued success in his next venture.”
Burke did not announce a predecessor in the statement but said one will come in due time.
Just when the ugly footwear trend finally slowed down, another shoe appeared on a runway. Yesterday, at Paris Fashion Week Men’s, Y/Project revealed a new collaboration with Ugg. Glenn Martens, the label’s creative director, took his signature exaggerated layers and revamped the Uggs.
There were three versions worn by both men and women. There was a black pair turned into rippling cuissardes and a tan pair with more gargantuan proportions. The height was an attempt to enhance the Ugg’s comfort level.
“Putting on Uggs is like putting your foot in a warm pot of butter, and I thought why not elevate that and immerse your full legs!” wrote Martens. “So we decided to design an Ugg boot that climbs up to the crotch and covers the whole leg.”
The Ugg felt like it was going in a new direction for the California label that has been known to turn everyday items into bizarre and runway-ready pieces. This was a new and creative direction for the California brand’s Paris runway debut.
1996: inventor Frampton Ellis came to Adidas with a new way to create sneakers. Squared-off edges, he argued, were a driving force behind rolled ankles and should be replaced by wider, rounded soles that would produce more stability for athletes.
Adidas took his product and produced a new shoe called Feet You Wear. Adidas went on to use the bulky, rounded soles on everything from the Forty Low Trainer to the Salvation Running Shoe. Kobe Bryant’s signature Adidas kicks, the Adidas KB8 III, used this tech.
This month, Adidas is bringing the soles back but with a more modern take on Boost technology to give them a more 2018 look.
NBA fashion persona star Nick Young has already been seen wearing a pair of what are now called “Crazy Boost You Wear” on the basketball court. He was wearing a pair of on court shoes rather than the streetwear ones. Both shoes are built to allow more natural movement for the wearer.
The shoe is cut into three parts, making each sole completely separated. The overall product is one of the most comfortable shoes you can wear.
The return of Feet You Wear on Kanye West’s Yeezy 500s and the new Boost You Wear is bringing back 90s nostalgia. This time, it might be around for good.
Dolce & Gabbana once again has decided to embrace the new models of the future on Saturday in Milan as many kin of famous Hollywood stars took the runway for the big brand.
The youngest son of RnB artist and entrepreneur P Diddy was joined by offspring from actors James Marsden, Daniel Day-Lewis, Pierce Brosnan and Jude Law. Both the sons of model Pamela Anderson joined as well, following in her footsteps.
All these figures were the face for Dolce & Gabbana’s new approach to the millennials at the Fall/Winter 2018 showcase.
Diddy’s 19-year-old son, Christian, made his debut for D&G in June last year and has been in two more shows since.
Gabriel can thank his father, Daniel Day-Lewis, for his good looks that have given him a name in the fashion world. He shares the Oscar-winning actor’s bold eyebrows and good bone structure, but he distances himself from his father with his collection of tattoos that could barely be seen from underneath the sleeves of a jacket.
Pamela Anderson’s kids have both made names for themselves in the fashion world, making their mother proud. Dylan, 20, is already the face of fashion brand Saint Laurent, while Brandon, 21, has previous experience working with Dolce & Gabbana.
Paris Brosnan, 16, is an established actor who signed to Next Models and is the youngest son to James Bond after Pierce.
Condé Nast has confirmed that it will no longer be working with two of the fashion world’s most renowned photographers, Bruce Weber and Mario Testino, after allegations of sexual exploitation surfaced around both of their names.
In a piece that was published this past Saturday, two dozen and counting current and former male models told stories about unwanted sexual advances from Weber and Testino to the New York Times. The alleged incidents ranged from nudity, inappropriate touching, masturbation and other sexual advances with some dating as far back as the mid-1990s.
“I saw him with his hands down people’s pants at least 10 times,” said Thomas Hargreave, a shoot producer who once worked with Testino.
“We are deeply disturbed by these accusations and take this very seriously,” Anna Wintour, artistic director of Condé Nast and editor of Vogue, and Robert A. Sauerberg Jr., chief executive of Condé Nast, said in a statement. “In light of these allegations, we will not be commissioning any new work with Bruce Weber and Mario Testino for the foreseeable future.”
Wintour also said in a separate statement that the stories have been really “heartbreaking” for her.
“Both are personal friends of mine who have made extraordinary contributions to Vogue and many other titles at Condé Nast over the years, and both have issued objections or denials to what has emerged,” she wrote. “I believe strongly in the value of remorse and forgiveness, but I take the allegations very seriously.”
Weber has so far denied every claim and said he never recalls any wrongdoing, while Testino’s lawyers have questioned the credibility of some of the pieces in the Times story. Other brands such as Stuart Weitzman, Michael Kors and Burberry have all announced plans to cut ties with the photographers.
In light of all the allegations, Condé Nast has released a new set of protocols in efforts to create a safer work space and to prevent any further sexual harassment. Some of the rules include setting the minimum age for models to 18, no drugs or alcohol on sets and the advanced approval of any shoot that involves nudity, sheer clothing, lingerie, swimwear, simulated drug or alcohol use or sexually suggestive poses.
Way back when, men’s shoes were all plain and practically the same. Now, the menswear world has started to embrace the sportswear trend, allowing footwear to become more casual.
Luxury now lies in the fabrication, versatility, techonology and detailing applied to every shoe. Milan Men’s Fashion Week was filled with some of the best shoes to date.
Santoni showcased Santoni classics while also reinterpreting them with some more casual proportions.
Brunello Cucinelli debuted runners in premium leather and also showed off hiking boots with luxe shearling linings.
Jimmy Choo showed off the Lucas, which this time around had a metal toe plate on the undersole with the brand’s logo etched into it.
Giuseppe Zanotti brought out a two-way biker/combat boot with zip-off which was done in butter soft leather. Other styles include sneakers and slippers with removable socks with an addition of a rainbow high-top sneaker where each panel had hand-applied color.
On the runway, crafted sneakers and snow boots took over at Zegna Couture. The shoes had the label’s triple X symbol. Laboratory inspired boots at Marni were so shiny people didn’t recognize it was made out of premium leather. Fendi produced a premium sock-boot, while at Versace, the collaboration with 2 Chainz on sneakers hit it off well.
Giuseppe Zanotti’s Fall 2018 collection was presented on the first day of Milan Men’s Fashion Week, and the versatility of the shoe collection was spectacular. The collection wouldn’t have been a full Zanotti collection without including something out of the ordinary, and this season it was in the form of a rainbow sneaker.
“I love black, but these sneakers will be delivered in June,” the designer told FN. “There’s no more winter and summer, so it reflects that.”
Each part of the shoe was hand-decorated with a different color. “This final result is more emotional than when it’s done via an industrial process,” Zanotti noted. “It costs nearly 40 percent more, but it’s 300 percent more beautiful.”
The shoe is unlike the rest of the collection because it drew inspiration from streetwear, sport, biker, combat and rock ’n’ roll. “It’s a new interpretation of our black universe, using our codes along with memories from my own generation,” the designer said.
Other shoes included biker style mid-calf boots where the top part could be removed, turning the shoes into ankle boots. “There’s a zipper just like on a biker jacket, so you can transform them into a combat boot,” according to the designer.
Another shoe in the collection was a black velvet runner shoe where part of the sole was made out of metallic gold. “It’s a super-thin coating done by a special machine they use for cars; it’s a molecular spray with charged particles.”
There were also sneakers and loafers that came in a chunkier sock-style upper but with removable soles. “I took the idea of the sock from the world of sport and 1960s tennis players,” he explained. “You can take them off and wash them in the washing machine.”
Italian brand Dolce & Gabbana put on an extravagant cat walk show on Saturday with a regal-inspired men’s range, and it even featured some high-profile names from social media.
The show, titled “King’s Angels,” featured tailored suits and patterned lapels with gold embroidery and happened underneath a huge crown.
The Italian powerhouse has turned to millennials as their target market and used a number of promising names to show off its latest collection at Milan Men’s Fashion Week.
Internet icons like Kevin Chaplin, grandson of Charlie; Dylan Jagger Lee, son of Pamela Anderson and drummer Tommy Lee; Paris Brosnan, son of actor Pierce; and Christian Combs, son of P. Diddy, were all on the catwalk.
They were also joined by Neel Visser, who has 2.7 million Instagram followers, Vine star Cameron Dallas and musician Austin Mahone.
The Italian designer Giorgio Armani, 83, already showed off a collection for his Emporio Armani streetwear brand with a full unisex show.
Tag Heuer has the Connected Modular 45, which has an average 45 mm case and is great for people with big wrists but no so much for others. That’s why the company has taken it upon themselves to make a smaller watch for those with smaller wrists. Tag Heuer created the new Connected Modular 41, which has a 41 mm diameter.
Tag Heuer worked with Intel and Google to improve their newest smartwatch. The watch has a brighter screen that shows 390 x 390 resolution and gives 326 pixels per inch. They even added to the memory capacity, upgrading to 8 GB and 1 GB of RAM as well. The newest design is water resistant to 50 meters and includes GPS and NFC connectivity. The watch can connect to phones that have Android 4.4 or iOS 9 and above. It’s set at a retail price that starts at $1,200.
Men’s fashion designers are always the busiest during the month of January. Most of them are busy finishing up their collections for the London Fashion Week Men’s, which was established in 2012 and now happens twice a year, a month ahead of the main Fashion Weeks.
“It’s a very long process,” Craig Green said. “Because the shows are six months apart, we start planning a month after the last show.”
During this year’s London Fashion Week, Green caught more attention than half the catwalk show. Green is a 31-year-old who has been named the British menswear designer for the past two years in a row, and he showed off his newest collection on the last day of London Fashion Week Men’s.
“But it’s continuously changing, we order fabrics, we get things back that we think are going to be great, and then we see them, we’re cutting them up, changing them, developing them in the studio. It’s a five-month process, and we work long hours!”
The hard work paid off, judging by how everyone reacted to the new collection. GQ Style’s Editor Luke Day recently said, “it’s the quiet confidence of his work that defines him as the most exciting new menswear designer of our time.”
Green opened his label back in 2012, and his success has made his popularity grow at a fast rate. His creations have been worn by high names like Rihanna, Jay-z and Drake.
“We were asked to create something custom for the opening look of Rihanna’s tour,” Green said. “But someone like Jay-Z, he just bought that T-shirt, so we didn’t know about that until we saw it. Sometimes they just go into a store and buy it.”
“I remember after the first collection, I was walking past Liberty’s and I saw someone wearing one of our knitted hats, and I didn’t know them, they weren’t a friend or fashion journalist, and I remember how weird it was. And to realize that that person made a conscious choice to go into a shop and buy it, that’s very strange in the beginning, but also exciting.”
Green is a man who pays great attention to detail, and lately it seems like it’s taking him pretty far.
The collection was composed solely of solid silhouettes and was showcased with new East London rapper Yxng Bane. Yxng Bane modeled most of the collection.
The brand What We Wear was launched around this time last year and with Tempah’s luxe-sportswear aesthetic being brought up again this season. Utilitarian jackets, unnoticeable details and fully functional looks are featured throughout the whole collection.
Yxng Bane, the young London rapper, is ready to take over this year. He has been spotted multiple times repping the brand on the streets, and the 21-year-old rapper consistently made good music last year. BBC 1xtra has posted him as an artist to look for on their “Hot For 2018” list.
Jimmy Choo Creative Director Sandra Choi showed the new 2018 men’s collection on the first day of Milan Men’s Fashion Week. The collection was very unique to past Jimmy Choo collections. Sandra Choi was able to give a little insight on her inspiration for the collection:
“We looked at royalty and how they dressed, 16th-century dukes in feathers and organzas and pleats and draped pearls. They could do that to assert their authority. But at the same time, we’re living now in 2018, so let’s just pull it back a bit. Jimmy Choo is not afraid to load up, but it’s about knowing where to put things, what finish to use, what details to pick out.”
Choi took elements from past history but turned it into a more approachable and relatable model for the market. A highlight of the collection was the Baldwyn, a boot-sneaker hybrid. The shoe featured a translucent rubber outsole that was set under a more classically shaped rubber midsole, and the upper half was lizard-print calf leather and tortoiseshell patent.
“For me, the over-arching theme at Jimmy Choo is always about glamour,” said Choi, adding that when it comes to men’s, she tends to be more careful when she makes decisions. “The key is to know where the limit is.”
2 Chainz was front row at Versace’s fall 2018 men’s runway show on day one of Milan Fashion Week, but the fashionable rapper was there as more than just a guest. Earlier that day, 2 Chainz teased at a possible collaboration project on Instagram: he posted a video that showed off a pair of co-branded Versace sneakers featuring his Chain Reaction logo.
2 Chainz and Donatella Versace had even more to show off. At the show, they displayed even more collaborative sneakers, and most of them stopped the show. The chunky styles featured a lot of mismatch color schemes that were blended with bold prints and textures drawn from the ready-to-wear. This new collaboration shows that the chunky shoe trend is likely to stay during the new year. According to WWD, the Versace x Chain Reaction sneakers are expected to be purchasable in two months.
As the menswear market continues to grow, several women have tried their hand at designing menswear instead of womenswear. Most notably, a number of London female menswear designers are bringing much needed talent and takes and turning them into profiting brands.
Grace Wales Bonner
Grace Wales Bonner graduated from Central St Martins back in 2014. She presented her first collection at Fashion East in 2015, and, that same year, she won Emerging Menswear designer of the year at the British Fashion Awards.
She made her debut at London Fashion Week Men’s in 2016 with her own label titled Wales Bonner. Most of her designs explore inspiration from European and African influences. Now, Bonner’s collections and shows are some of the most anticipated on the show calendars. Keep in mind, Bonner has yet to turn 27.
Dalton dropped out of school when she was 16 and began to learn her craft while working as an apprentice to a tailor, then she went on to study menswear at the Royal College of Art.
Dalton’s tailoring combined with her Shropshire roots make her clothes beautiful and extremely durable. Dalton’s collections are now some of the most highly sought after clothes. She has made capsule collections for Dover Street Market, Grenson, Liberty and Opening Ceremony. Dalton’s designs are available internationally on her online store.
Anderson launched her own brand back in 2011 and has caught attention for her knack of remodeling the sports-luxe category. Her designs go far beyond a simple tracksuit. She is expertly able to blend urban influences with small feminine details to make clothes that challenge the gender norms.
She graduated from the Royal College of Art in 2010 and was able to get support from Fashion East and NEWGEN before making her official debut at London Fashion Week Men’s. Her celebrity base, including Drake, A$AP Rocky, and Rihanna, all adore her clothes.
Rose, a 36-year-old designer, is one of London’s most original menswear designers. Her label, which is now 10 years old, has constantly been pushing boundaries.
Her designers effortlessly play with shape and proportion. Her designs are now being stocked at Barneys in New York, Dover Street Market and Matches fashion. Rose has also been added to the Balenciaga team to consult on its menswear line.
Middle America has never been seen as a fashion hub of the United States. Menswear brand companies are years behind other areas, but Norman resident Alejandro Vaca is hoping his new men’s line will send Oklahoma into the future.
Vaca comes from Ecaudor, where accessories and ensembles are critical parts of the culture’s everyday attire for both men and women. America’s “renaissance of makers” will help them grab the attention of the manliest of men in Oklahoma. Vaca commented:
“We’re focused on marketing to women who are choosing clothes and accessories for their husbands, spouses, fathers, or who are making suggestions about what looks good and what they like on a man. I grew up in a matriarchal community, one where the role of women and their contribution was respected, and that’s what we’re trying to do with our brand, to respect a woman’s contribution and to help reshape the typical macho man’s way of thinking about women and about fashion.”
Vaca, 35, is the fourth-generation fashion man following all the men before him up to his great-grandfather.
“I used to sneak in as a kid and have the employees teach me how to use the machines before I was really old enough,” Vaca said. “I have a memory from when I was really young of being in this room that was filled with hundreds of rolls of leather and that smell, it has always felt homey to me.”
“The big goal is to open a boutique here in Norman,” Vaca said in December. “I’m hoping to do that next year, but it could still be a couple years. We’ll see how things go.”
Vaca displays some of his collection at Stash, a local shop in Norman, but also goes to the University of Oklahoma’s Innovation Hub.
“The Hub exists to support entrepreneurs among the campus community and the Oklahoma community at large,” Fabrication Lab Director Brandt Smith said. “Our goal is not that he would continue using the Hub forever, but we want to help him get to point when he is successful and eventually can sustain without us.”
“People here have been so welcoming and warm, and I want to contribute to that and to give back to the place that helped me start this,” Vaca said.
Canadian RnB singer and Toronto native, The Weeknd, recently cut ties with the Sweden-based retail brand H&M after the company featured an ad that pictured a child of African American descent dressed in a sweatshirt that read “coolest monkey in the jungle.”
The artist partnered with the international brand for its 2017 Spring Icons Collection and even modeled some of its apparel.
On Monday, The Weeknd tweeted that he was “shocked and embarrassed” and “will not be working with @hm anymore” along with a photo of the racial ad.
woke up this morning shocked and embarrassed by this photo. i’m deeply offended and will not be working with @hm anymore… pic.twitter.com/P3023iYzAb
By the next morning, the tweet had over 103,000 retweets and 230,000 favorites.
“We completely understand and agree with his reaction to the image. We are deeply sorry that the picture was taken and we also regret the actual print,” H&M said in a statement. “We will continue the discussion with The Weeknd and his team separately.”
The ad reached almost everyone with other celebrities chiming in on what had occurred. Lebron James posted an edited version of the ad on his Instagram that showed it in a more positive perspective, along with a compelling caption.
H&M had used the photo online to sell the hoodie in the United Kingdom. The brand then removed the photo, and the hoodie can no longer be purchased. The company said that it will “look into [their] internal routines to avoid such situations in the future.”
The Essex man has become one of the most influential male fashion figures in the industry, and it’s starting to rub off on his children– especially his 15-year-old son, who was supporting his father by wearing one of the brand’s jackets.
Beckham has worked with the brand since 2015 and was able to relaunch it with Irish designer Daniel Kearns last year.
The England soccer star was even accompanied by his mother Sandra Beckham and his sister Joanne, who recently became a new mother with her partner Kris Donnelly. They had a daughter named Penny.
To celeberate the launch of the new store, located on Floral Street, Beckham hosted a lunch. He managed to maintain a British feel with a menu full of pie and mash followed by sticky toffee pudding.
The newest editor-in-chief of US Glamour is CNN social media executive producer Samantha Barry. Condé Nast, publisher for Glamour, confirmed.
The news came after an unexpectedly long search. This past September, Editor-in-Chief Cindi Leive announced she would leave the role of leading the magazine after staying for 16 years.
Barry, 36, has gone from BBC World News to CNN and now Glamour. At Condé Nast, Barry will be in charge of the Glamour brand and content and also in charge of consumer experiences. Barry starts Jan. 15.
Anna Wintour, Artistic Director of Condé Nast and Vogues editor in chief, has said that Barry is Glamour’s “first digital-native editor.” Wintour and Barry are said to have had a personal relationship prior to her appointment. Wintour elaborates in a statement:
“As an editor she has led all manner of news coverage from the 2016 presidential election and the horrific Las Vegas mass shooting to the love story voicemails and the 2018 New Year’s Eve festivities. Sam understands social media as a tool for storytelling and reporting; a way to support social conversation and the ever-changing contours of what’s cool. Sam is fearless, like so many leaders of the moment, and has both a reverence for Glamour’s history and a crystal clear view of its future in the digital environment.”
Barry also spoke in a statement:
“I am as humbled by Glamour’s past as I am excited about Glamour’s future. I could not be more proud to take the reigns of an iconic women’s brand at this pivotal moment for all women’s voices. For me, Glamour is the home of strong storytellers, insightful journalism, beauty and fashion. I look forward to building on the brand’s success, and sharing Glamour with audiences everywhere.”
Bob Sauerberg, Condé Nast’s chief executive and president, said:
“As we continue to innovate our content and distribution to reach next generation audiences, it is critical that our creators understand the symbiotic relationship between the audience, content and the best platforms to deliver each story and experience. Samantha’s fluency in connecting with consumers in digital, social and video will give Glamour fans the content they love, and in ways that are most meaningful to them.”
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