Finish Line has agreed to sell itself to a United Kingdom-based sportswear company that was trying to get a foot in the US. Finish Line has made the move to try and save its slumping apparel line.
JD Sports Fashion has reached a deal to take over the Indianapolis-based Finish Line for around $558 million. Finish Line has 556 stores, as well as branded floor space in 375 Macy’s locations. The company has around 13,000 employees.
Finish Line has been struggling for some time in the declining mall foot traffic. Sales at stores open at least a year have gone down 7.9% in the company’s fourth quarter, Finish Line has stated Monday.
The environment was “more challenging than we expected,” CEO Sam Sato said in a statement.
JD Sports Fashion and Finish Line will now combine into “”a leading global, premium, a multichannel retailer of sports, fashion and outdoor brands who embraces the latest online and in-store digital technology,” Finish Line said in a statement.
The Dallas-based Don Morphy the ready-to-wear menswear label announced its first ever pop-up brick and mortar store in Victory Park that will be running through April 12.
The fashion startup company has been a local success in Dallas. Daniel Mofor, founder of Dan Morphy, experience with management at Walmart helped him launch the company as a kickstart campaign in 2016. The suits and shoes are designed in the US but are handmade in Florence, Italy.
Don Morphy has notable clientele such as former Dallas Cowboys star Emmitt Smith, actor Morris Chestnut, mega-pastor T.D. Jakes, and NBA players Dwight Howard and Tyson Chandler. The label was also recently recognized by Fashion Group International of Dallas as one of the “Rising Stars” in men’s fashion.
In a New York Times profile last October, Dwight Howard said, “I have a stylist, J. Bolin, and he works with a manufacturer called Don Morphy. We sit down and go over the styles. I choose the lining, the material, the colors. It’s like a day’s worth of working on these suits before the season starts.”
“We are excited to debut the Don Morphy brand to the Victory Park community. Our Victory Park pop-up will allow our existing customers the opportunity to experience the brand in a new way, and will introduce our Italian quality and flair to a new audience,” said Don Morphy Chief Operation Officer Serge Laurent in a statement.
Everyone, it is Just a few short weeks after the Geneva Motor Show, it is now time for the festivities to reach the Javits Center in the greatest city in the world: New York!
Today, March 28th begins the press days for the show, but the doors open to the public on March 30th and remain open until the show closes on Sunday, April 8th. The official opening day is on March 31st with festivities beginning at 8:30 AM.
The New York International Auto Show has enjoyed a rich history in its long-running tenure, starting way back in the year 1900 at Madison Square Garden, and the show has withstood the test of time, through wars, depression and recessions.
A major anticipated showing this year will be coming from Nissan, who will be showing the Formula E car, which they are dubbing “The Next Generation of Excitement.” Quite a claim to make, but everything announced about it so far seems to back up that statement! The all-electric vehicle has been turning many heads since it was first announced.
Several other notable reveals will be done at this year’s show, including the production version of its RDX concept car, which will feature 2.0-liter turbo power and an optional A-Spec treatment. Acura reps have described the car as the “most extensive Acura redesign in more than a decade,” which has left the automotive community salivating at the promise that statement holds.
The fan favorite Bugatti brand will also be making a much-anticipated appearance at the show, featuring the Chiron Sport on US soil for the first time ever. The Sport edition of the Chron boasts a 1,500 horsepower drivetrain while adding torque-vectoring, stiffer suspension than the regular model, more aero and is 40 pounds lighter.
One of our most unexpected interests at the show this year will be the offerings from Cadillac. The brand will, of course, feature its CT6 V-Sport which will be sure to turn some heads, but our real interest is the XT4 which will finally be unveiled after numerous teases during the Super Bowl and the Oscars. We look forward to featuring this vehicle in the coming days!
Mercedes-Benz also has quite the lineup expected for this year’s show, including the North American debuts of the AMG GT 4-Door Coupe, AMG G63 and facelifted C-Class sedan range, but the world first reveals are what have us salivating the most. The brand will be showing off the updated C-Class Coupe and Cabriolet, as well as the new C63 AMG coupe, sedan and cabriolet making their debuts.
There are many other surprises in store as well for the show, including output from Mazda, Jaguar, Toyota, Volvo and much more! From every preview released, the show looks to be quite the event, as it most assuredly is every year!
Tickets for the event can still be purchased, with adult tickets going for $17 and Child tickets (12 and under, ages 2 and under can enter for free) going for $7, with various package and premium deals available as well. We are very much looking forward to this year’s show, as we do every year! Look forward to our upcoming coverage of the event for more automotive news and highlights!
Enter Virgil Abloh. Known previously as the founder of the haute streetwear label Off-White, as well as the creative director for Kanye West’s previous fashion output, Virgil Abloh now has a new claim to fame: the first African-American artistic director for Louis Vuitton.
Virgil Abloh, aged 37, is a first-generation Ghanian-American from Illinois and is now making the move to Paris to be closer to the luxury brand. Abloh’s previous work perfectly encapsulated celebrity, music, digital and hype in a way unlike any previous Men’s Wear designers at Louis Vuitton.
Abloh has no formal fashion training, but he was, however, taught the ins and outs of fashion by his mother, who was a seamstress and taught him her trade. He further increased the scope of his designs by studying architecture and civil engineering, creating a unique style that is wholly his own.
In regards to the opportunity, Abloh had the following to say:
“This opportunity to think through what the next chapter of design and luxury will mean at a brand that represents the pinnacle of luxury was always a goal in my wildest dreams. And to show a younger generation that there is no one way anyone in this kind of position has to look is a fantastically modern spirit in which to start.”
Abloh’s place in the company is part of a men’s wear shake-up for Louis Vuitton, with Abloh taking the place of his predecessor, Kim Jones, who has gone on to become the men’s designer for Christian Dior, in turn taking the place of his predecessor Kris van Assche.
Michael Burke, the chief executive of Louis Vuitton, had the following to say about Virgil Abloh: “Virgil is incredibly good at creating bridges between the classic and the zeitgeist of the moment,” quite the compliment indeed.
It will be very interesting to see where Abloh can take Men’s Wear at Louis Vuitton. Will he continue in the same vein as his predecessor? Or will he take the more likely scenario of injecting his own sensibilities and styles into the brand? We are excited to find out!
A handful of Pakistan designers are starting to take a bold stance on topics that are predominant in the country, trying to make it okay to think a different way. Shahnaz ki Shaadi, or Shahnaz Wedding, has kicked off a campaign for new wedding dresses but in her campaign, she has been showing off women in their 50s with their adult children celebrating with them. In Pakistan, divorce is still a weird subject, but Shahnaz’s campaign makes it obvious that love can’t be found at any age.
“Right now is the ideal time to be in the fashion industry,” Ali Xeeshan, a designer, says, “Since the Pakistani film industry is not as big as Hollywood or Bollywood, fashion gets the spotlight here. That’s why we can really make use of the situation by highlighting social issues.”
“I think all fashion brands have a responsibility about how women see themselves,” says Khadija Rahman, Generation’s creative head, whose parents Nosheen Khan and Saad Rahman launched the brand in 1983. “Women can be seen differently — they’re all beautiful, dark, fair … There’s no one fixed standard.”
The British designer Kim Jones was announced as the new artistic director of Dior Homme, just two months after he has stepped down from the menswear line of Louis Vuitton. He will be replacing Kris Van Assche, who was in the position for 11 years.
The new decision to hire Jones will be part of the first of major decisions by Pietro Beccari, chief executive of Christian Dior Couture, who joined the brand from Fendi in November.
“I am delighted to welcome Kim Jones at Dior Homme,” Mr. Beccari said in a statement, adding that Mr. Jones would “create an elegant men’s wardrobe both classic and anchored in contemporary culture.”
“I am confident that he will continue to further develop Dior Homme on a global scale,” Mr. Beccari added.
“I am deeply honored to join the house of Dior, a symbol of the ultimate elegance,” Mr. Jones said. “I am committed to create a modern and innovative male silhouette built upon the unique legacy of the house.”
The CFDA Awards is the closest you can get to the Oscar’s for the fashion. The CFDA Awards is set to celebrate the best American designs. Last night the nominations for Menswear Designer of the Year were announced, and they include Thom Browne, Tom Ford, Raf Simons for Calvin Klein, Virgil Abloh for Off-White and New York hype brand Supreme.
It has come to many as a surprise that a skate brand has picked up a CFDA nomination. It is odd because only Public School has been named a winner for the award that isn’t one of the big label brands. But Supreme has done nothing that Public School has. They don’t put on runway shows nor are their designers helping out with other big label brands. Instead, Supreme’s most desirable items are graphic hoodies and T-shirts while collaborating with other brands like Public Enemy.
Supreme in the past has ripped off big brands wholesale in the past but lately has been trying to get a foot closer to the giants by taking a big investment from the Carlyle Group, collaborating with Louis Vuitton and opening up a new store in New York City.
In a statement by Steven Kolb, head of CFDA, he started urging voters to consider a wider pool of brands that they had in the past. “We truly want the event to celebrate the full creative spectrum and richness of American fashion,” Kolb reportedly wrote. “Just think of how much fashion is changing, and the diversity of our industry. Designers with broad cultural backgrounds and political ideas are expressing their experiences and beliefs in their collections. Their work deserves greater acknowledgment, acceptance, and visibility.”
Walmart has now made a massive shift to push towards online apparel to compete with Amazon. Walmart is betting on four new private fashion brands to push them to the front.
“Seeking higher margins via higher-priced goods, Walmart is looking to woo more affluent shoppers who buy technology and groceries at the chain but would typically walk past its fashion and beauty aisles,” Preston Bottomy, general manager of prestige beauty, said.
The brands launching for Walmart are Time and Tru for women, plus size label Terra & Sky, Wonder Nation for kids and also the relaunch of George, a brand exclusively for men.
Walmart, in the past, has struggled to find a good fashion niche in apparel beyond basic tee’s. As Amazon continues to spread in all categories, Walmart has started becoming more and more vulnerable to the online giant, as their competitor constantly betters price and convenience.
According to Matthew Kaness, the new executive in residence and vice president of Walmart US e-commerce, the retail brand is taking a more curated approach to enhancing its product mix across all categories.
Director of the Palias Galliera for the last eight years, Olivier Saillard turned the city of Paris’s fashion museum into a must visit event, thanks to ideas from performance pieces by Tilda Swinton to the very first Azzedine Alaïa retrospective in the city. The fashion community was hit with a curveball when he decided to step down and quit in January to become the director of J.M. Weston, the French luxury men’s shoe company.
The person who took his place was the relatively unknown Spaniard named Miren Arzalluz, a political historian and who has honed her curating skills for eight years as the head of the Cristóbal Balenciaga Foundation in Getaria, Spain. She ultimately pursued the new job because “this job was really going back to my thing.”
“I studied history, worked at a British think tank, earned my master’s in comparative politics at the London School of Economics. It was just after 9/11. The world was in such turmoil. I started going to the Victoria & Albert Museum for fashion exhibitions. Then I remember walking into the National Portrait Gallery bookshop and seeing a whole section on fashion history. It was a revelation. When you study history, it’s to be a social or political historian. But fashion? That was something that I had never dreamt of. I went to the Courtauld Institute of Art in Somerset House for a master’s in history of dress, and fell in love with the subject. I thought: “Oh, this is what I want to do.””
The popular British fashion house recently posted on their Instagram account apologizing for stealing the graphics of two young designers.
Vivienne Westwood has based T-shirts in its Fall 2018 collection on the creations of two young designers, named Louise Gray and Rottingdean Bazaar.
The London house, which took Anthony Knight to court in 2012 for trademark and copyright infringement for copying some of Westwood’s famous punk orb logos and slogans, posted the following apology followed by the image of the original Rottingdean Bazaar T-shirt and the copied design side by side.
The red carpet has finally moved on from the time’s up blackout, but there have recently been some interesting pieces in the Givenchy and Elie Saab collections during Paris Fashion Week.
Claire Waight Keller, Givenchy designer in her sophomore season, has taken over the reins for Riccardo Tisci with a different mood, taking her inspiration from the 80’s Berlin. She turned the halls in the Paris Palace of Justice into a dark and moody maze, with models walking down in big curtains of black, slate and blue as spotlights hovered over them.
Waight Keller took inspiration from David Bowie, Stranger Things and Noomi Rapace. Waight Keller started the show with louche faux furs cinched with patent belts before turning on the sharp-cut dresses that would fit right in Germany ’83. Pencil skirts and oversized animal prints followed right behind, with both men and women in shiny trousers.
The men’s looks were mostly tailored, with the exception of the puffy white coat. The oversized equipment handled bags that were carried by the men will most likely cross over.
Jun Takahashi may or may not have discovered a solution for fashion. Takahashi has managed to create a collection that merges streetwear with athleisure and luxury. His Fall 2018 collection for Undercover is a major example of what many design houses should aspire to do.
The designer showed Undercover in a big white tent with clear plastic walls in the center of Paris. His fashion was in the very middle of things and not bouncing around the edges. Takahashi took much inspiration from college, as that is a time for experimentation.
Takahashi has figured out a way to blend all the elements of street style, comfort, youthfulness, nonchalance and cool, and he turned them into clothes that can be related to by anyone. He didn’t do too much and chose establishment over rebelliousness but synchronized the two in such a way that it worked out for the better.
Simon Porte Jacquemus has finally revealed his new professional challenge that he has been hinting at on his social media: the launch of his very own menswear line.
The designer announced the news at his Paris fall show by taking a bow in a sweatshirt that read “New Job L’Homme Jacquemus” at his women’s ready-to-wear show.
He won’t be presenting his first creations until Paris men’s fashion week in June, and it has yet to be determined if he will have a show or a presentation for the line.
“I see the Jacquemus man as I see the Jacquemus woman: it’s a sincere story,” Jacquemus told WWD:
“I didn’t do men’s until now because I didn’t feel the need to do men’s and I couldn’t imagine it. I fell in love and I started to imagine that the Jacquemus man exists. I did Jacquemus women’s for my mother, and while I’m not saying that the men’s collection will be all about my boyfriends, it will still always be a love story.”
The designer has used social media as the main outlet for communications since he launched his brand in 2009 after dropping out of fashion school due to his mother’s death (Jacquemus is her maiden name).
Since then, Jacquemus has become one of the most talented young designers on the Paris stage.
Jacquemus has predicted that adding a men’s line would change the mood of the brand. “This is going to change Jacquemus a little in the sense that it’s much more forward-looking, because there is a lot of melancholy in the women’s collections, for obvious reasons,” he said.
Dolce & Gabbana has managed to make human runway models a boring trend by replacing them with technology on the runway.
When the show started at the D&G Fall-Winter Men’s Fashion Show in Milan, a horde of drones carrying handbags glided down the catwalk. The drones were accompanied on the side by people who wore white lab coats.
Attendees during the show were asked to turn off the Wi-Fi on their phones, including personal hotspots.
“A comically impossible task for a room full of influencers made famous by the Internet, all of whom speak different languages,” according to The Cut’s Emilia Petrarca, who attended the weekend show.
G&D was not the only brand to add high-tech technology to the mix. Alessandro Michele unveiled his own Gucci Cyborg. His show included small dragons and models carrying 3D-printed versions of their own heads.
Suitsupply, a men’s tailoring brand founded in 2000 by Fokke de Jong in Amsterdam, has shown off its new imagery for their Spring/Summer 2018 campaign which put the spotlight on gay couples.
The campaign is set to display in over 100 stores across 22 countries and is also currently at the front of their website, which Jong has said could have a negative impact on the business where LGBTQ people are not accepted:
“The attraction between people is an important part of fashion advertising. A campaign featuring the attraction between men was long overdue and particularly relevant for our brand.”
The new collection is available in stores and online. It features linen cotton blended suits, checked jackets, lightweight bombers, and it brings new colors into the mix.
The Chinese powerhouse Fosun International has recently bought a majority stake in the French fashion brand Lanvin.
The purchase was announced in a statement this past Thursday. The Shanghai company owns a wide range of brands including Club Med resorts and the men’s label Caruso.
Lanvin, founded in 1899, is the oldest fashion house in France. The brand has been bought by Shaw-Lan Wang in 2001, which turned it into a global brand.
Chinese businesses are looking to expand their portfolio of luxury European brands. Back in January, it was revealed that Shandong Ruyi Group were the leading bidders for the Swiss luxury handbag company Bally. The French crystal maker Baccarat was bought by the Chinese group, Fortune Fountain Capital in June last year.
According to the firm, Bain & Co., luxury sales have grown in China by 20 percent last year, with a third of the sales coming from Chinese consumers.
New York Fashion Week usually encapsulates bedlam, but for one French label, it’s very very different. An hour before the Zadig & Voltaire’s runway show, models, dressers, hair and makeup stylists were still prepping to make sure the show ran smoothly.
“I’m a perfectionist,” said Cecilia Bönström, 47, the brand’s artistic director. “Even though I have a creative job, I like everything to be really clear; I like to follow a schedule.”
Zasig & Voltaire is a French brand that prides itself on offering styles that are filled with streetwise edge and easiness.
“This season, my message is to confirm that Zadig & Voltaire is the contemporary rock ‘n’ roll brand,” Bönström explained. “For me, the girls are very delicate but, at the same time, very rock. There are a lot of legs, a lot of skin. There are leather and knitwear with perfect, sexy cocktail dresses.”
This year, Zadig & Voltaire is celebrating its 20th anniversary, a benchmark that is rarely ever achieved, especially in luxury fashion. With fashion fluctuating now that more of the spending habits have shifted, many labels are struggling to keep a grip on the fashion world. The reason Zadig & Voltaire’s does so well is that even when there are trends coming and going, the company sticks to its core aesthetic and value, something the label’s founder, Thierry Gillier, learned very early on:
“When I came to America, on Madison Avenue, it was very difficult. Everything was more classic than what we were showing. Slowly, that changed. The look today is very inspired by the street. For me, it was obvious that the fashion business would change. The clothes were very stiff and rigid, and I wanted to make it more relaxed.”
For many years, Western brands have fascinated the country of Russia, but the Soviet Union’s isolation from the rest of the world made it impossible for the goods to ever reach the country, and that can still hold true today.
Products were “made even harder to come by as non-communist media was censored and Russians were fed a diet of anti-capitalist propaganda,” said Alec Leach, Highsnobiety’s fashion editor.
While Russia has opened its market up, heavy import duties have forced the luxury fashion to be 20 to 30 percent more expensive in Russia than it is in Europe. While Russia’s demand for luxury goods is increasing, there is not enough money to go around. Many Russians have resorted to purchasing cheap knock-offs.
In 2016, the country’s apparel and footwear market were worth around 2.8 trillion rubles ($50 billion) and has continued to grow at an annual rate of 7.6 percent. As a result of this, all types of fake luxury goods are available at any of the popular local marketplaces throughout Moscow, as well as on online platforms such as Instagram.
While the fake news being circulated by the Russians may be making the news now, Russia’s big appetite for knockoffs is anything but made up.
Preen, the catwalk label designed by the husband and wife duo Justin Thornton and Thea Bregazzi and worn by the Duchess of Cambridge and Gwyneth Paltrow, has finally launched a collection which has quickly become London fashion week’s most affordable collection. Prices start at 65 p.
Preen’s collection only has around 6 styles or pieces. It is made in the shape of a postage stamp as a six-stamp collection celebrating 20 years of the brand.
The first-class stamp features the red Finella dress which was worn by the duchess on a royal tour of Canada. The “Power Dress” that first made the label well-known is shown on another stamp.
Preen left the super tight bandage dress behind about a decade ago and has ushered in new calf-length hemlines and looser fabric that have dominated modern fashion aesthetics.
It’s a given that fashion insiders have long been jaded about the fashion week festivities. Most can say they’ve seen it all or notice it’s been done before, but that can’t be said about Gucci’s most recent fashion show.
Gucci’s show, besides the grandparent’s clothes, was unique and different. The show featured a couple of models carrying their own severed heads down the runway. There has been no clear indication as to why and how they decided to add this to the show, but it sure did draw a lot of attention.
The show even included a model carrying a baby dragon down the runway, for which we still don’t know the reason. Nonetheless, the show was creatively put together and you can give much credit to Gucci creative director Alessandro Michele.
Black Panther was a movie we saw bound to be set for a fashion movement. The Marvel film is one of kind filled with all black leads, which features the fashion icon Lupita Nyong’o, but the film itself takes a ton of inspiration from a full list of African groups. The list includes Maasai, Toureg, Akan, Mursi and Ndebele.
“We knew Black Panther wasn’t going to be just any other movie,” Mohammed-Hanif Abdulai of Ghana told Racked via email. “It was a movie about representation, culture, and diversity; a movie that had a message. In that spirit, we decided we were not going to treat this as just any other movie premiere.”
Abdulai has a company called Wildrness Productions which produces film reviews called Couch Critics. Their Twitter feed was filled with what Ghanaians wore to see Black Panther. Abdulai exlained:
“We asked our fans to come dressed in their best regal attires and they didn’t disappoint, showing up in their fine kente, batakari, dashikis, wax prints, ahenema adorned with rich jewelry, and beautiful drumming and dancing. We proudly turned the lobby of the cinema into a beautiful cultural fest. Ghanaians showed the world how proud they were of their culture.”
Black Panther wasn’t just a stable for African fashion, but it also allowed many people of African descent to show off their heritage without being criticized. Take Paris-born New Yorker Esther-Lauren Mutolo, a stylist, for example: instead of wearing a pro-black statement shirt, she went with an outstanding African print. She commented on how she felt about the piece:
“When I came across this jumpsuit in a local boutique, I immediately fell in love. This jumpsuit reminds me of everything I was told not to be in life as a black woman. It is loud, obnoxious, eye-catching, and colorful. It represents my personality in its truest form. For years, I was told to be quiet and fit in with society’s definition of what a woman of color should be. When I wore that jumpsuit, I felt like I was defying every expectation set upon me by society. I felt beautiful and black.”
“This is more than just a movie for us,” Mutolo says. “This is about being acknowledged for something that is not directly tied to slavery or some sort of white suppression. Black Panther is about black people getting a chance to be themselves… Black Panther gave blacks a chance to let loose and wear their most obnoxious, vibrant outfit without being judged.”
The Queen of England attended her first ever fashion show this past week. The show was for Richard Quinn and his Fall 2018 collection.
The Queen wasn’t there just to be stunned by magnificent fashion designs but rather to hand out the first ever Queen Elizabeth II Award for British Design. It’s meant to highlight the role that the fashion industry plays in society and diplomacy. It recognizes young artistic and entrepreneurial talent.
Richard Quinn may not be a recognizable name, but what he has accomplished is far from average. Between winning fashion awards from H&M and being the recipient of part of the Sarahslist (which highlights the talent of designers), he has also been giving back to his community. Many companies referred to him as “one to watch” last year.
Quinn ultimately delivered a unique show with his tendency to cover the models’ faces, but nonetheless, he did enough to capture the attention of many, including the Queen of England.
French label Chanel has taken a minority stake in the London-based online retailer Farfetch, the company announced on Monday, as part of a tie to develop digital services on their website like chats to connect the label’s clients with store assistants.
Luxury companies worldwide have all been trying to expand and extend their digital services to bring in younger clients. Chanel is the only company that hadn’t made a big push to shopping online by deciding not to pursue more web sales.
The deal between Farfetch and Chanel does not include Chanel selling its clothes on Farfetch’s website but rather working together to create digital services linked to customer service.
“This is about how to enrich our relationship with our customers,” Pavlovsky told Reuters, adding that Chanel was not trying to monitor the clients but rather offering to give more tailor-made assistance to those who wanted it.
“The challenge for our luxury industry is that our clients are used to ultra-personalized experiences,” Farfetch’s Portuguese founder and Chief Executive Jose Neves said. “When you walk into a store, people don’t know you.”
Anthony Davis was in Los Angeles because of the NBA All-Star game but also to visit the Chateau Marmont in West Hollywood on Thursday night to celebrate his latest fashion collection, Saks Fifth Avenue x Anthony Davis.
“This city is amazing,” he told The Times. “The people are amazing. I actually stay here in the summertime. I love the weather. It’s, in my opinion, the best city in the United States. Over Miami, [over] everything, you know?”
A huge group of influencers all gathered to commemorate Davis’ latest luxury capsule collection, which was first debuted in 2016.
“Every piece is unique,” Davis said. “Every time we put a collection out there, we want it to be unique and different from the last — and a little unique and different from what everybody else is doing. I’m excited about it.”
Davis’ newest collection is available exclusively at Saks Fifth Avenue stores and at Saks.com
“As a guy who’s tall, it’s hard to find clothes,” laughed Davis, who is 6-foot-10. “I thought [this collaboration] was the perfect opportunity to try to showcase my style with a great brand like Saks…. It’s been great for me to get another side of me out there instead of basketball.”
“We are proud of how the Saks Fifth Avenue collection ― our private label offering ― has grown over the past few years, evolving into one of our top performing menswear brands at Saks,” Louis DiGiacomo, general merchandise manager for men’s, said in a statement. “And, since 2016, we’ve been partnering with Anthony on the Saks Fifth Avenue x Anthony Davis capsule collections that have an athletic-inspired, youthful sensibility … And our customers love it.”
PETA and anti-fur protesters have become a presence at many Fashion Weeks over the past couple of years, but none of the demonstrators made it inside to the actual show. At Mary Katrantzou’s show at London Fashion Week, one anti-fur protester actually made it into the building and onto the runway.
After every fashion show, there’s always the circulation of which trends will take the extra step into the fashion world. After Paris Men’s Fashion Week, a question was asked: do our shoes need their own pair of shoes?
Chinese fashion brand Sankuanz thinks so. Its design team sent a model down the runway wearing high top sneakers that never really touched the runway.
“They’re transformable sneakers that have an outer layer of protective sandal that you can enter Velcro into and you can strap them on or off,” Sankuanz publicist Courtney Wittich described.
The shoes really look like big-cushioned, rubber Birkenstocks with added Velcro straps you add to your already existing shoes.
“I think they’re going to be really popular,” Wittich said. “I mean, you know, the streets are quite dirty and people want to protect their shoes, especially if they’re paying a lot of money for them.”
The shoe sandals are expected to be sold for around $355 when they become available in August.
“You can walk totally normal in them and it gives you an extra layer of protection and then also height,” Wittich said.
The concept isn’t far off from what the company’s image is nor from the layering trend that is happening in today’s fashion world.
“So far we haven’t heard anything about a third layer generation, but if we hear about that we’ll let you know,” Wittich said.
Victoria Beckham’s line was set to show at New York Fashion Week, but it wouldn’t be a proper event without her family sitting front row to watch in awe. David Beckham and three of the kids, Romeo, 15, Cruz, 12, and Harper, 6, all attended the James Burden Mansion on Manhattan’s Upper East Side as Victoria Beckham showed off her Autumn/Winter 2018 collection.
After the models were done, Victoria Beckham walked out to greet the crowd in an all-black ensemble and also gave every one of her family members a quick kiss.
The whole family was sporting looks. David Beckham, who just launched a soccer team in Miami, went with a classic black suit and tie, and the two sons wore long coats. The daughter was rocking a more stylish look with a white dress and burgundy coat, with her hair in two French braids.
The only one missing from the family event was Brooklyn, 18, who moved to New York to study photography. Despite the absence of the oldest child, both parents gave him a shout out on their social media pages.
Some of the men’s shows at New York Fashion Week are showing signs of a potential kick start to crypto high fashion. Meanwhile, the wait times between the shows are providing time and opportunity for attendees to discuss the recent crypto market dip.
The Belgian fashion designer and icon Raf Simons’ runway show was described by the Financial Times as “looking like the inner sanctum of a boiler room, where brokers pitch their clients on penny stocks and digital currencies with a Machiavellian zeal.”
Simons showed off slim cut three-button suits, topcoats paired with some type of surgical gloves and rubber boots. The runway was also filled with turtlenecks with slits. Some of them had patches with three letter acronyms like XTC and GHB. “One was just a letter off” from a Bitcoin code, the Financial Times jokingly said.
The Financial Times said Simon’s clothing could “fit easily on today’s youngest investors, who don’t stick to the Kiton and Zegna suits of their fathers and prefer Coinbase to TD Ameritrade.”
TD Ameritrade surprisingly advertised Bitcoin futures during their ad, which aired during the Super Bowl.
Tom Ford showed “Wall Street-approved pleated trousers” paired with snakeskin printed ties. The Ford show ended with models showing off the company’s new launch of underwear, which included silk boxers in different metallic and animal prints.
Music and Fashion are two things that almost always go hand in hand, especially when its rap music. It was no surprise that some artist hit the runway showing off new fashion looks. Some of the artists included Vic Mensa, IDK and King Combs.
Mensa and IDK were both on the runway for Pyer Moss’ new collection with Reebok. “Incredibly honored to be a part of this moment,” Mensa wrote on Instagram. “We’ve been kept out of so many industries that it makes it that much more impactful when we reach those levels, u feel me?”
After Ralph Lauren finished its job as the official outfitter for Team USA at the Olympics, the company was left to wonder what was next.
Ralph Lauren went to a retreat in Montego Bay to look for inspiration for his spring and summer collections for both men and women.
What came from it was spectacular. The show was filled with barefoot models, looks that screamed beachy feels, and a lot of the classics from Ralph Lauren. The clothes included the yellows and greens of the island country’s flag and pennants, along with spots of red and blue in bold, graphic designs. There were even yachts on wide ties and practically everywhere else.
“Everyone wishes for a magical place where they can step out of time into the beauty of nature,” Lauren said in a press release. “For Spring 2018, I wanted to share the mood, the light, the blue and white freshness of my retreat in Jamaica. My collections for women and men conjure up the carefree, sophisticated style of this special experience—exuberant, luxurious, timeless!”
The clothes reflected the words spoken by Ralph Lauren. It was shown in the cotton and silks, stripes and tie dye. There were leather shorts and jackets that were meant for an afternoon deckside of a tropical downpour. The predictable whites even looked fitting for any occasion.
John Elliot just designed one of the best fashion sneakers with the newly revamped Nike Air Monarch for his Fall-Winter 2018 show.
The Air Monarch is so entwined with the dad look that many believed it couldn’t cross into the fashion world, but the shoe quickly proved those nonbelievers wrong. The shoe has already been seen on the feet of OKC Thunder basketball player Russell Westbrook.
The show appeals to the masses with its unconventional oversize shape and mundane colorway. The shoe debuted at John Elliott’s Fall-Winter 2018 runway show while adding three new colorways.
The difference between the new Monarchs and the old version is in the details. The most notable detail for the new design is the smaller swoosh, allowing the colorway to take up all the attention. The “Air” logo is gone from the back, and the midsole shape is designed just a tad differently.
The shoes have yet to be announced to have gone on sale but will most likely make a splash in the current market of ugly sneakers.
This year, the New York Fashion Week: men’s has been tied to the women’s show to make for a 10 day long fashion marathon. This allows smaller brands to be shown alongside big fashion juggernauts like Marc Jacobs and Calvin Klein. Just as with previous years, however, the streetwear styles kicked off the season by catching eyes with no help provided. So far for the 2018 shows, their new gimmicks have proven to be just as fashionable as they were last summer, which brought in fanny packs, cross body bags and Hawaiian shirts.
So far for the winter season, the looks include berets, coats that are dazzling with how well they were tailored, panels of mirrored armor and full-on balaclava.
David Jones recently held their Autumn/Winter womenswear and menswear collection at the Sydney Carriageworks. The event is always filled with celebrities and air kisses, so it is always an interesting event during this time of year.
Recently, during most of these sorts of events, menswear has hardly shown up and has been very underwhelming; however, at David Jones’ show, there were glimpses of hope that this year might be a change for the ever so boring menswear market.
This year, the menswear fashion show was led by male model Jordan Barret. This season’s show focused on layers and earth tones. Green coats, burgundy checks and sleek black suits were shown throughout the show. This show could have arguably been the best collection from the Australian retailer in years.
David Jones’ International Menswear designer collection was also a very impressively styled selection that has been introduced in recent years. That collection was filled with wool hats, heavy frame aviator glasses, green coats and patent leather brogues.
This season might prove big time for the Australian brand.
Massimo Dutti held its second-ever fashion show in Paris, sending a very much Texan-like men’s and women’s spring collection down a sandy runway at the Palais de Tokyo.
“For a fashion player, it’s essential to be in Paris, it’s essential to be in France,” said Jean-Jacques Salaün, the director of French operations of the brand’s parent company, Inditex.
The brand was able to pull off a see-now-buy-now collection by projecting images from the show on its internet site. The label has also planned on doing the same projection style on screens in brick and mortar stores.
Men’s outfits in the collection were trim and dressy, featuring lots of suits. The colors for the men’s collection ranged from a dark olive green to light browns and ivory. Most of the models carried a small bag tucked under a wrist.
H&M has been on a downhill tumble both financially and in the public’s eye since the racial ad and following events. It was clearly evident in Hennes & Mauritz Ab’s recent annual report, and it’ll worsen in the following months if H&M continues down this slippery slope. In the recent review of the latest financial results, Karl-Johan Persson, CEO of H&M’s parent company, commented:
“The weakness was in H&M’s physical stores where the changes in customer behavior are being felt most strongly and footfall has reduced with more sales online. In addition, some imbalances in certain aspects of the H&M brand’s assortment and composition also contributed to this weaker result.”
With more disappointment to follow, the company has announced it will close 170 stores, their largest number since 1998; however, they also will be opening 390 new ones. The company did not state which stores will be closing but they did hint that they are located within their major market, which the U.S. and Germany fall under.
Consumers, however, aren’t reading the financial reports but rather reading the look of H&M’s messy brick and mortar stores. Some believe that part of the reason H&M is struggling is their lack of keeping up with the fashion scene. Michael Dart, co-author of “Retail’s Seismic Shift,” elaborated:
“Consumers have felt that H&M has been somewhat drab and not on trend as much as competitors. With slower supply chain (unlike super-fast Zara), they have not responded as quickly to rapid shifts in taste and increasing fragmentation in the consumer market with many more small segments. As a result, they have had more markdowns, promotions and less inspiration for the consumer. It’s a formula for sagging results.”
The problem could lie with other factors, but for the time being it is safe to say H&M is on the come down after many years of successful fast fashion.
Reebok has launched an ad campaign called Always Classic. The athletic line brought together a collective consisting of Lil Yachty, Gigi Hadid, Teyana Taylor, Ariana Grande and Rae Sremmurd. The star of the whole collection featured a re-installment of a new model of Freestyle Hi. The new collection is sure to catch some eyes, especially with a star-studded lineup of celebrities.
H&M’s newest brand collection will be on sale from the start. After the Swedish company’s plunge in profits for six years, the company announced that it will soon offer a new off-price marketplace called Afound.
H&M describes the new outlet as a “style- and deal-hunting paradise” that will begin selling discounted clothes and lifestyle items from H&M group’s own labels, which also include offshoots such as COS and Cheap Monday, as well as outside labels. The first Afound store will open up in Stockholm, Sweden in 2018, along with a new website.
H&M is entering a profitable category. According to Euromonitor, the global off-price market grew more than 30% between the years 2012 and 2017, going up to $62 billion. The U.S. owns the biggest share with 80% of the total.
Considering that big retailers such as Nordstrom have had much success in the discount business, H&M’s move is different from the mega brand because it is a fashion brand selling clothes from other brands. H&M has yet to state what other brands will be sold alongside theirs or if they are planning on buying overstock and out-out-season items directly from the brands.
The company surely needs a boost of some kind to pick up its declining growth. H&M took too long to build its e-commerce and has realized it has way too many brick and mortar stores. It has also been outmatched in speed by digital competitors such as ASOS, BooHoo and longtime rival company Zara, thus leaving H&M stores filled with unwanted clothes.
Off-price retail, meanwhile, has shown an increasing attractiveness over the years. “Coincidentally enough, it looks very similar to the same reasons that people shop online too,” Tim Barrett, a retail analyst at market research provider Euromonitor, wrote.
Condé Nast has been forming fashion and beauty networks across its platforms. Celia Ellenberg, Vogue’s beauty director, and Jenny Bailly, Allure’s executive beauty director, will be in charge of the beauty network. Rickie de Sole, W’s fashion market and accessories director, and Virginia Smith, Vogue’s fashion market and accessories director, will be in charge of the fashion aspect. All the directors will continue to hold their original titles but with additional duties.
The new structure is set up as a resource for Condé to help smaller brands that don’t have their own fashion or beauty departments, such as their brand Condé Nast Traveler. The idea closely resembles the way the company combined its creative, copy and research teams across all titles back in 2016. In 2017, the company reorganized its business side and cut around 100 jobs. Back in November, Condé Nast cut around 80 positions, reduced the number of print titles and closed off Teen Vogue’s print edition.
It has been very apparent that new editors in chief Radhika Jones and Samantha Barry want to make staffing changes. One of the upcoming tasks awaiting the new hires will be finding ways to reduce budgets even further.
Brooke Shields is an actress, model and author who has spent most of her life growing up in the fashion world. This very reason was why she wanted to add another title to her long resume.
Shields is going to be designing a collection for QVC called Brooke Shields Timeless. It will be available to see on Feb. 15 but won’t be purchasable until Mar. 14. The actress will be on-air showing off her creations, which she got with the help of the KBL Group International, a New York-based apparel company.
The actress is planning on previewing her apparel and accessories collection to media outlets at The Beekman in New York on Wednesday evening.
Shields has shown that she is a hands-on designer by having a say in every aspect of her collection. She has an office at KBL and was often up there, late at night, e-mailing back and forth with her partners. The 52-year-old actress elaborated:
“I’m involved in every button, every zipper, every seam, every hem and every pocket. The whole thing is initiated by an aesthetic I have, and working with the manufacturer and QVC themselves. They have a great deal of input. What’s been so refreshing is they [QVC and KBL] have really consulted me on everything.”
Shields has been approached by companies before, but they were only interested in her name and refused to listen to her input. Doug Howe, chief merchandising officer for QVC Group, had a different reaction:
“When we first heard Brooke speak about her collection, we were blown away by her passion and her attention to even the tiniest detail. Each and every piece of this line is special to Brooke and she’s had her hand in every design decision, from stitch, colors to prints. We feel confident that her excitement will appeal to our customers and that her stories will inspire them.”
“This has been a cumulative effort over the years on my part. Every show that I’ve ever done, every television show, every Broadway show, there’s a whole fit process and it doesn’t matter what you’re buying. You could be buying something off the rack at a discount store or you can be putting on haute couture of some famous designer. And they all can be tweaked and can look better.”
“It’s years of understanding that maybe I’m a little short-waisted, or maybe I’m long-waisted, or maybe I need a rise to be a little longer to bring your attention to my waist, my hips, whatever. The beauty of fitting these varied models is you watch these women of all sizes be able to not at all jeopardize their aesthetic or their look or line because it fits. It’s been such a revelation for me.”
Shields is hoping for the collection be a success in order for her to become even more involved in the fashion world.
Georgina Chapman was hoping to make her comeback this season and was set to show her fashion brand Marchesa at New York Fashion Week on Feb. 14, but on Tuesday, The Post learned that the show was ultimately ended. An insider said that it will most likely be a digital presentation instead.
“Georgina couldn’t go through with it,” a NYFW veteran said. “She was too scared.”
The show was scheduled for Valentine’s Day and was set to be produced by Navia Vision, a Brooklyn-based production company.
“They were gung-ho . . . but as they got closer, she choked,” the fashion week vet said.
The NYFW vet also stated that Chapman’s brother, Edward, who is the CEO of Marchesa, “doesn’t really have the chops to navigate a boat that’s in that type of water.”
“Marchesa is looking forward to presenting their Fall ’18 collection in an updated format this season,” a spokesperson from Marchesa told The Post.
It didn’t come as a huge surprise that the 41-year-old designer wasn’t ready for the spotlight again. Chapman has barely been spotted since the wave of sexual misconduct allegations against Weinstein. More than 100 women have accused Chapman’s former husband. Chapman has also announced back in October that she and her two sons will be leaving Weinstein.
“My heart breaks for all the women who have suffered tremendous pain because of these unforgivable actions,” she told People Magazine. “I have chosen to leave my husband. Caring for my young children is my first priority and I ask the media for privacy at this time.”
The “Black Panther” cast and attendants of the premiere stuck with the theme of the movie and dressed up as characters of the fictional nation of Wakanda. The attendees kept with the “royal attire” theme and showed up on the purple carpet in a massive display of regal, African-inspired outfits.
Taking inspiration from the film’s costumes (which were all designed by Oscar-winning costume designer Ruth E. Carter), Lupita Nyong’o channeled her character, Nakia, while wearing a purple, custom-made Atelier Versace chiffon gown which had a gold metal hardware harness that looked like armor. Chadwick Boseman, who plays the Wakandan ruler T’Challa, looked the part in a black and gold blazer made by Emporio Armani.
Letitia Wright plays Princess Shuri. Her character interpretation came in the form of a black-and-white embroidered Bibhu Mohapatra gown, which stylist Ade Samual helped pick.
“We talked about what the movie meant and how strong it was and wanted to give that same powerful feel to Letitia’s look on the red carpet,” said the stylist, who took inspiration from her own Nigerian roots while researching the theme before landing on the ethereal, embellished number for Wright. “Letitia plays such a riveting character and she brings a light to the role. Keeping her fresh and young was the idea.”
The cast weren’t the only people dressing for the occasion. Yara Shahidi wore a youthful, white Etro gown and Christian Louboutin sandals, while British-Nigerian actor David Oyelowo wore a traditional dashiki. “Insecure’s” Issa Rae showed out for the occasion in a pleated white Rosie Assoulin dress with rainbow-colored panels, paired with Giuseppe Zanotti metallic shoes.
Even actor and musician Janelle Monáe worked with stylist Alexandra Mandelkorn to put her own spin to the theme while maintaining her own persona. “Something black and white, but also something sculptural and avant-garde that felt very regal,” explains Mandelkorn. She then went with a billowing skirt paired with a top featuring two-tone sleeves. Monáe finished the look with an Erickson Beamon tribal choker and a traditional black kufi cap filled with gold embroidery.
“It looks like a crown,” Mandelkorn said. “It was very fitting for the theme.”
Joe, Kevin and Nick Jonas all attended the John Varvatos fashion show on Friday, Jan. 26 in New York City. The boys were seen enjoying a guy’s night out while wearing matching leather jackets. Kevin and Nick, 30 and 25 respectively, who have a limited-edition collection with the menswear brand, were spotted on the front row of the show.
Joe, 28, shared a photo after the show of the three of them posing and captioned it “The Boys,” while Kevin posted the same photo soon after in black and white. Fans quickly jumped to conclusions about the band reuniting. They commented things such as, “REUNION TOUR PLSSSSS.” Another wrote, “IF THEY DO A REUNION … MY 2008 SELF WILL SOB.” One simply wrote, “Quit playing games with my heart.”
There was a previous report about the brothers getting the band back together when, on Jan. 15, photos of the band’s original Instagram page reappeared for the first time in four years. None of them have commented on the rumor.
The brothers first opened up about their decision to end the band in an interview with Good Morning America back in October 2013. “We feel like it’s time that the Jonas Brothers comes to an end,” Kevin said. Nick added to his brother’s statement:
“We’re family first and that’s always been our main priority and so honesty within what we do as a group was really important. I came to the table with the guys … and shared my heart with them and my feelings. I said, ‘Look, I feel like we’ve had some complications within the group for a long time [and] without addressing them I think this train will fall off the tracks. It was a tough conversation. It was the first time we really had that real conversation.”
Villa Wolkonsky, the home of Britain’s ambassador in Rome, was set to host its very first fashion show this past Saturday night, but a twist came about in regards to the parade’s tradition of pale-skinned models.
The show became the first catwalk in Italy to celebrate diversity, featuring 16 models of varying sizes, physical abilities and ethnic backgrounds.
Some of the models included a Brazilian-born model in a wheelchair, a model with a prosthetic leg and another whose hair signaled her mixed-race heritage.
The unusual take for the fashion show was the idea of Jill Morris, the British ambassador. With her time in office, she has made her mark by promoting British fashion and even modeling herself at times.
“It’s the very first diversity catwalk in Italy. I wanted to put on an event that brought together the themes of diversity and fashion,” the ambassador told The Telegraph. She continued:
“I’ve always been interested in fashion. But when I became ambassador, with the role of promoting British business, it enabled me to combine a personal passion with a more serious trade and investment objective.”
There were more than 200 attendants at the show. The clothes were designed by Sadie Clayton, a British designer who has had creations seen on catwalks in London, Berlin and Shanghai.
Clayton is known for incorporating copper in her dresses, admitting that it brings out “incredible colors – blues and greens and wonderful reds.”
Clayton herself was sporting a dress that was made entirely out of copper. “I smoothed the edges very carefully so that it could be worn next to the skin,” she said.
The Villa Wolkonsky was decorated with tapestries and oil paintings, making it a perfect historic backdrop for the show.
All the men looked great at the 2018 Grammy Awards. Guys like Zayn Malik and Nick Jonas were sporting some of the best looks.
Zayn Malik, 25, Nick Jonas, 25, and Jaden Smith, 19, were among those that rocked the red carpet in fashion. Big Sean impressed with a navy suit paired with a dark blue-green velvet trench coat. Khalid, 19, took a different approach by adding a pop of color with a lime green shirt. He wore the bright top under a pastel jacket with same-color pants. This was the singer’s first Grammys, but he showed up and showed out!
Bernadine Morris, the women who demystified women’s fashion for over decades as a New York Times critic, passed away on Jan. 12 in the Bronx. Morris was 92 years old at the time of her passing.
Her death occurred at a nursing home and was confirmed by her daughter, Cara Michelle Morris.
Bernadine Morris began her career at the trade newspaper Women’s Wear Daily. She switched to The New York Times on her 38th birthday when she answered a help-wanted advertisement in the newspaper for a fashion reporter. Some 4,000 bylines later, Morris retired as the newspaper’s chief fashion writer in 1996.
Morris won the Medal of the City of Paris in 1985 and an award from the Council of Fashion Designers of America in 1987. She was also quoted in Nicholas Coleridge’s “The Fashion Conspiracy” (1988):
“The theater critic of The New York Times I do believe wields power, but not the fashion editor. It’s too diffuse. The most I can do, if I’m really enthusiastic, is get a buyer to go see the collection.”
Morris was one of the greatest when it came to criticizing womenswear and fashion in general. Her legacy will continue to make an impact on future designers and writers alike.
The Dutch have implemented a new pilot program in the city of Rotterham in the Netherlands. The new program allows officers to confiscate designer clothes from young men who, based on the judgement of the officer, don’t look like they are able to afford them.
City ombudsman Anne Mieke Zwaneveld told the AD that the plan is going to be the start of a slippery slope into ethnic profiling.
Quartz News reported that while there may still be legal reviews of what the police can keep, they’ll still be taking the clothes from the suspects at the moment.
“We’re going to undress them on the street,” Frank Paauw, chief of Rotterdam police, told De Telegraaf. He later added that the suspects often act untouchable and that their flashy clothes send the wrong signal to the other residents in Rotterham.
“We know they have clothes that are too expensive to wear with the money they get,” a spokesperson for the department said. “We’re going to look at how they get those clothes, where did they buy them, from where the money came that they buy them.”
Every season there are styles that are meant to be outspoken and bold, but this is not the attire we expect to see on an everyday person. We’re here for the most wearable ongoing trends of this coming season.
The fact that plaid was everywhere in the AW18 show in Paris indicates that you should be wearing it this autumn. Balenciaga had long plaid overcoats and patchwork plaid streetwear.
Corduroy trousers were the worst thing as a child, but lately, designers can’t get enough of them. During the Milan show, there were hundreds of versions of corduroy on the runway. Even streetwear brands like Palm Angels were getting in on the corduroy action.
Leather has always and will always be around, but this year it was a sight to see, ranging from knights and armor inspired leather at Les Hommes to the luxury leather at Berluti. Leather was worked into jackets, pants and even on some shirts. There was also a smaller theme of leather paneling and detailing among the lines.
Proportion was a big thing for all designers, and this year we saw tons of new ways to shape clothes to make a statement. The biggest trend for this was oversized coats outerwear and knitwear. Oversized might be the way to go next winter.
This year at Paris Fashion Week, Russian-born influencer Miroslava Duma posted a photo of a note from fashion designer Ulyana Surgeenko.
An excerpt of the note read, “To my n—-s in Paris,” which Duma posted on Snapchat. Sergeenko then sent out an apology on her Instagram:
“I woke up this morning with my phone full of insulting messages, ‘you deserve the worst in your life,’ ‘die white trash,’ and so on,” Sergeenko wrote. “I was born in a small town in East Kazakhstan, my daughter is half-Armenian, I have never divided people on white or Black. Kanye West is one of my favorite musicians, and NP is one of my most favorite songs. And yes, we call each other the N-word sometimes when we want to believe we are just as cool as the guys who sing it. I am deeply sorry to anyone I may have offended. Mira is a dear friend and even the fact that she so naively posted my private card to her on her social means that we meant nothing wrong and didn’t realize the consequences. I have certainly learned my lesson and I am grateful for it. There is enough anger in the world out there, please, can we stop it here? [heart emoji]”
This DISGUSTS me. To see Mira post something on IG so casually using this racial slur, and then have Ulyana defend the usage with such a bs excuse makes my blood boil. So tired of “fashion girls” thinking that listening to one rap song gives them the right. pic.twitter.com/P5XHVnNXaX
The news shows ignorance among the fashion industry, according to Matthew Schneier, a New York Times reporter. It is “quite possibly the worst apology for casual racism.”
“I actually prefer that these people air their unvarnished feelings, so the world will know,” Schneier added on Twitter. “But I am always surprised that they continue to pay tens of thousands of dollars a month to high-end PR firms who can’t save them from themselves before, during or after these idiocies.”
Tom Ford will be taking the final spot for menswear in the New York Fashion Week calendar on Feb. 6 with a runway show. It will start at 8 p.m. at the Park Avenue Armory, which will immediately follow Joseph Abboud at 7 p.m.
Although Ford has shown menswear in New York in the past, this will mark the first time the designer has shown his menswear collection exclusively at this event. His last New York show was back in September 2017 when he started New York Fashion Week with a women’s show at the Armory. His Spring 2018 menswear line was shown in Milan.
The Council of Fashion Designers of America decided last month to push the dates of the New York Fashion Week Men’s to Feb. 5 through Feb. 7, which then allows the women’s calendar to precede immediately afterward. This new schedule will create one big 10-day calendar.
The addition of Ford to the mix gives the fashion event a boost to the men’s portion, which it desperately needed. So far, the lineups have been filled with emerging labels but not so many established brands. The big names this season will be Raf Simons, Abboud, Perry Ellis and Hugo Boss.
The simple aesthetic of Ralph & Russo, the only extant British haute couture house, can apparently be put into elegant dresses. The house capped off their show with an off-white duchess satin gown with a draped bodice, long train encrusted with leaves of Swarovski crystals and a lace veil embroidered with silk petals.
Ralph & Russo is the only brand that dedicates itself to the grand British couture tradition of Hardy Amies and Norman Hartnell. These two designers moved from Australia and London, where their business has existed as one of British fashion’s biggest brands since it opened back in 2007. The brand is now an employer of more than 400 people, with a townhouse in Mayfair for fittings and a large atelier where the embroidery department consists of 30 people.
Most of their clients expected fairytale-esque designs, and that is exactly what they got during their Paris fashion show. The show was filled with frothy mint organza, blush pink silk gaza and ice blue Chantilly lace.
The show was filled with extraordinary outfits and outshone others. It gave names like Vertigo, Psychose and Illusion, but one silhouette that stood out was the one Grazia Chiuri made for Dior. The slim balletic torso with the simple, functional elegance of a leotard gives way to a soft, A-line midi-length hem. The silhouette took forms of long belted coats, blouses, skirts and lingerie-style gowns.
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